– Notes from the talk delivered by Susan Galbraith at The Smithsonian on August 16th – On a good day in the Greater Washington area there are more than 15 opera companies of various ilks and sizes. Not all present regular programming. Some, like Lorin Maazel’s Castleton (still in hiatus after the maestro’s death), or Wolf […]
There’s much to learn watching a production being remounted by essentially the same team. The riches and new challenges proved fascinating in the rarity of Vivaldi’s Catone in Utica that played for two performances this past weekend at the Kennedy Center.
If you thought opera was an art form dedicated to the “park and bark” supersized, you would have your assumptions happily blasted away at Opera Lafayette’s celebratory dance mash with slithering aqua body-suited Nile creatures, an Amazon army of gorgeous jingling-footed Indian dancers, and early-form French-court ballet dancers with their graceful port de bras and […]
Opera Lafayette bounded onto the stage at the Terrace Theatre this week offering a “post-modern” baroque opera that was both elegant and fresh. Artistic Director Ryan Brown teamed up with choreographer Seán Curran in a remount of Actéon, a minor classic by seventeenth century French composer Marc-Antoin Charpentier, that Brown’s company has given us straight […]