Notes from the first week of rehearsal

Last week I discussed the careful editing process which Eugene O’Neill practically demands from his theatrical collaborators. Like all of O’Neill’s plays, Strange Interlude is profound and intuitive and also a little over-written. This week, I’ve finished tableworking the play with the actors and we’re on our feet now, continuing to explore.[1] The first week of staging can be a complicated time, and we’ve been taking it slow, learning carefully about the play. We make new discoveries every day. [Read more...]

Michael Kahn writes about Strange Interlude for DC Theatre Scene

“Hello, I am Michael Kahn, the Artistic Director of the Shakespeare Theatre Company. Welcome to my new blog.” So begins the first entry in what will be a series of eight weekly articles titled “Stage Interludes from Michael Kahn,” written exclusively for DC Theatre Scene by the esteemed Mr. Kahn. [Read more...]

And so we begin

Hello, I am Michael Kahn, the Artistic Director of the Shakespeare Theatre Company. Welcome to my new blog, “Stage Interludes from Michael Kahn.” Every Wednesday for the next eight weeks, I am going to be writing an installment of this blog about our current show, Eugene O’Neill’s Strange Interlude, which I am directing. [Read more...]

Two Gentlemen of Verona (a rock opera)

How do you solve a problem like The Two Gentlemen of Verona?  This comedy, often speculated by scholars to be the first of Shakespeare’s plays, is one of his least-beloved (and least performed) works – and not without reason. The language, by Shakespearean standards, is weak. The meandering story offers numerous plot points and themes that Shakespeare would address more skillfully in later, better plays.  And The Two Gentlemen of Verona’s notoriously dicey fifth act – which features, most infamously, a scene in which protagonist Valentine offers his beloved to a friend who has just attempted to rape her – is all but unworkable on both storytelling and moral grounds. [Read more...]

Two Gentlemen of Verona

The Shakespeare Theatre Company’s hormone-drunk Two Gentlemen of Verona is a story of mad children at play in the house of their own hearts, adrift and rudderless in a storm of their passions, laughing and drinking and singing and skating closer to death than they can possibly understand. It is the interpretation one might expect from a director who co-authored columbinus, the chilling reimagining of the Columbine killings drawn from interviews with high schoolers and produced a few years back at Round House. It is also, perhaps, the only interpretation that works. [Read more...]

Shakespeare Theatre renames rustics in Much Ado in response to complaints led by Hispanic director

The Huffington Post announced Saturday that the Shakespeare Theatre has changed the names of Much Ado About Nothing’s Juan Huevos and Jose Frijoles, two of the buffoons featured in Dogberry’s rustic troupe of morons, back to their original names of Hugh Oatcake and George Seacoal in response to a letter-writing campaign launched by Tlaloc Rivas, a Mexican-American Theater Director. [Read more...]

Much Ado About Nothing

Get thee down to Penn Quarter’s Sidney Harman Hall to behold Shakespeare in the tropics, under the palms, smoldering in the Caribbean sun: it’s the one about the guy who secretly loves the girl who secretly loves him and the other guy who accuses the other girl of scandal on their wedding day and the despicable bad guy and the ludicrous creation named Dogberry. [Read more...]

William Shakespeare arrives at Shakespeare Theatre

Madame Tussauds London has transported their intricately fashioned wax sculpture of William Shakespeare to the lobby of the Sidney Harman Hall, where he appears, outside the main floor gift shop, in fine “puff and slash” apparel. [Read more...]

The Boys from Syracuse

Usually, I am not one for concert opera or musicals, but the concert-style staging this weekend of Boys from Syracuse by Rodgers and Hart at the Shakespeare Theatre Company is a delight. The pre-production materials all announced that this would be a scripts-in-hand event, but we the audience, like most of the performers on stage, soon forgot they were carrying anything.  In fact, the lack of behemoth sets and lots of busy staging sets this little gem free to put the emphasis where it belongs  – on the music. [Read more...]

Boys from Syracuse concert gets full production treatment at STC

Shakespeare Theatre Company turns 25 this year, and to celebrate, they’re turning Sidney Harman Hall into a Broadway concert hall for The Bard’s Broadway: The Boys from Syracuse, for 5 performances this weekend, November 4 – 6. [Read more...]