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	<title>DC Theatre Scene&#187; studio</title>
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	<itunes:summary>Washington DC&#039;s Liveliest Theater Website</itunes:summary>
	<itunes:author>DC Theatre Scene</itunes:author>
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		<title>Studio announces its 2012-2013 megaseason</title>
		<link>http://dctheatrescene.com/2012/05/14/studio-announces-its-2012-2013-megaseason/</link>
		<comments>http://dctheatrescene.com/2012/05/14/studio-announces-its-2012-2013-megaseason/#comments</comments>
		<pubDate>Mon, 14 May 2012 15:28:22 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=35023</guid>
		<description><![CDATA[The return of Joy Zinoman directing a production of the Broadway hit 4,000 Miles will highlight a monster 12-production 2012-2013 season for Studio Theatre, the company announced this weekend. 4,000 Miles, Amy Herzog’s story of a rootless young man who crashes with his 91-year-old grandmother in Greenwich Village after a cross-country bike journey, will star [...]]]></description>
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		<title>Director Johanna Gruenhut on directing Studio&#8217;s Big Meal</title>
		<link>http://dctheatrescene.com/2012/05/03/director-johanna-gruenhut-on-directing-studios-big-meal/</link>
		<comments>http://dctheatrescene.com/2012/05/03/director-johanna-gruenhut-on-directing-studios-big-meal/#comments</comments>
		<pubDate>Thu, 03 May 2012 16:05:43 +0000</pubDate>
		<dc:creator>Joe Brack</dc:creator>
				<category><![CDATA[UpClose]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=34834</guid>
		<description><![CDATA[April 26, 2012 &#8211; The third floor atrium at Studio Theatre is a buzz with carpenters and interns, designers and directors, marketing folks and performing professionals, all putting the final touches on Studio&#8217;s newest production, The Big Meal by Dan LeFranc. Amidst the hurried tweaks and polishes, the play&#8217;s quietly collected director, Johanna Gruenhut, takes [...]]]></description>
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		<title>The Big Meal</title>
		<link>http://dctheatrescene.com/2012/05/01/the-big-meal/</link>
		<comments>http://dctheatrescene.com/2012/05/01/the-big-meal/#comments</comments>
		<pubDate>Tue, 01 May 2012 12:30:04 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=34698</guid>
		<description><![CDATA[The Big Meal is the big deal: the moments in life that really matter – birth, love, and death – chopped up into digestible bits and soaked in a vinegar-ish marinade for eighty minutes or so. It is also the big feel, in that its only subject is what we feel in our hearts as [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Basil Twist&#8217;s Dogugaeshi</title>
		<link>http://dctheatrescene.com/2012/04/16/basil-twists-dogugaeshi/</link>
		<comments>http://dctheatrescene.com/2012/04/16/basil-twists-dogugaeshi/#comments</comments>
		<pubDate>Mon, 16 Apr 2012 14:08:13 +0000</pubDate>
		<dc:creator>Eric Brooks</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=34144</guid>
		<description><![CDATA[When a once-thriving, centuries-old art form all but vanishes from the vocabulary of beautiful things, a sadness rises. Especially when, before now, the isolated art form has remained in the mountains of Tokushima on one tiny island off the coast of Japan, rare, untapped and virtually unknown to the outside world. But all faithful artists [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Studio Theatre extends Sucker Punch</title>
		<link>http://dctheatrescene.com/2012/04/02/studio-theatre-extends-sucker-punch/</link>
		<comments>http://dctheatrescene.com/2012/04/02/studio-theatre-extends-sucker-punch/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 13:51:21 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33730</guid>
		<description><![CDATA[Sucker Punch, Roy Williams&#8217; drama about two young men coming to adulthood in 1980&#8242;s London, has been given a one week extension, Studio Theatre announced Friday. The play will now close April 15th. The award winning, much praised play is the story of two talented black fighters trying to box their way to fame, fortune [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Sucker Punch</title>
		<link>http://dctheatrescene.com/2012/03/07/sucker-punch/</link>
		<comments>http://dctheatrescene.com/2012/03/07/sucker-punch/#comments</comments>
		<pubDate>Wed, 07 Mar 2012 13:49:24 +0000</pubDate>
		<dc:creator>Scott Meslow</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33155</guid>
		<description><![CDATA[It would take an ambitious, forward-thinking theatre to capture British playwright Roy Williams’ unique blend of kitchen-sink drama and urban patois. Fortunately for all of us, the play found its way to Studio Theatre, whose sharp, well-realized production of Sucker Punch is another impressive production in an already-strong season. (l-r) Sheldon Best as Leon and [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Two young actors get ready to step into the ring of Sucker Punch</title>
		<link>http://dctheatrescene.com/2012/03/05/two-young-actors-get-ready-to-step-into-the-ring-of-sucker-punch/</link>
		<comments>http://dctheatrescene.com/2012/03/05/two-young-actors-get-ready-to-step-into-the-ring-of-sucker-punch/#comments</comments>
		<pubDate>Mon, 05 Mar 2012 17:26:02 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[UpClose]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33074</guid>
		<description><![CDATA[What’s my name? What’s my name, sucker?  In Houston, forty-five years ago last month, Muhammad Ali was carving up hapless, helpless Ernie Terrell, a heavyweight pretender who had insisted on calling Ali “Cassius Clay,” a name Ali had rejected. Ali was correcting this error at a rate of about thirty jabs a minute, turning Terrell’s [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Studio Theatre extends Astro Boy and the God of Comics</title>
		<link>http://dctheatrescene.com/2012/03/03/studio-theatre-extends-astro-boy-and-the-god-of-comics/</link>
		<comments>http://dctheatrescene.com/2012/03/03/studio-theatre-extends-astro-boy-and-the-god-of-comics/#comments</comments>
		<pubDate>Sat, 03 Mar 2012 17:31:30 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=33070</guid>
		<description><![CDATA[Astro Boy Washington audiences have been flocking to Astro Boy and the God of Comics, the live action  retro sci-fi piece about the 1960s animation series Astro Boy and its creator Osamu Tezuka, earning the show a one week extension, the company announced Friday. Astro Boy&#8230;,is directed by Natsu Onoda Power and features Joe Brack, Jamie Gahlon, Lee Liebeskind, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Natsu Onoda Power, creator of Astro Boy and the God of Comics</title>
		<link>http://dctheatrescene.com/2012/02/28/natsu-onada-power-creator-of-astro-boy-and-the-god-of-comics/</link>
		<comments>http://dctheatrescene.com/2012/02/28/natsu-onada-power-creator-of-astro-boy-and-the-god-of-comics/#comments</comments>
		<pubDate>Tue, 28 Feb 2012 14:05:33 +0000</pubDate>
		<dc:creator>Roy Maurer</dc:creator>
				<category><![CDATA[UpClose]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=32922</guid>
		<description><![CDATA[Renaissance woman Natsu Onoda Power is generating a reputation for original, highly inventive performance pieces. Writer, director, designer, theater prof at Georgetown University, Onoda Power is being celebrated for her collaborative, creative process, her exuberant drive and her brilliant devising of new ways to experience theater. The gifted and sweetly humble playwright met with DC [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/02/28/natsu-onada-power-creator-of-astro-boy-and-the-god-of-comics/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Astro Boy and the God of Comics</title>
		<link>http://dctheatrescene.com/2012/02/23/astro-boy-and-the-god-of-comics/</link>
		<comments>http://dctheatrescene.com/2012/02/23/astro-boy-and-the-god-of-comics/#comments</comments>
		<pubDate>Thu, 23 Feb 2012 11:42:00 +0000</pubDate>
		<dc:creator>Scott Meslow</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=32826</guid>
		<description><![CDATA[It’s clear from minute one of Astro Boy and the God of Comics that writer and director Natsu Onoda Power is in very familiar (and very beloved) territory. Ms. Power – whose 2009 book, “God of Comics: Osamu Tezuka and the Creation of Post World War II Manga,” was the first full-length study of Tezuka [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/02/23/astro-boy-and-the-god-of-comics/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Studio Theatre extends Time Stands Still</title>
		<link>http://dctheatrescene.com/2012/02/01/studio-theatre-extends-time-stands-still/</link>
		<comments>http://dctheatrescene.com/2012/02/01/studio-theatre-extends-time-stands-still/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 13:50:50 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=32169</guid>
		<description><![CDATA[Audiences have an additional week to catch Donald Margulies’ Tony Award nominated Time Stands Still. Studio Theatre just announced that their production has just been extended until February 19th. Time Stands Still follows a photojournalist who returns home injured from the battlefields of Iraq after years of dashing between conflict zones. When her reporter boyfriend makes [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2012/02/01/studio-theatre-extends-time-stands-still/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DC theatre community mourns the passing of Lance Hayden Kump, artist and Studio Theatre staff member</title>
		<link>http://dctheatrescene.com/2012/01/27/dc-theatre-community-mourns-the-passing-of-lance-hayden-kump-artist-and-studio-theatre-staff-member/</link>
		<comments>http://dctheatrescene.com/2012/01/27/dc-theatre-community-mourns-the-passing-of-lance-hayden-kump-artist-and-studio-theatre-staff-member/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 13:05:03 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=32022</guid>
		<description><![CDATA[The theatre community has lost another member. We are sad to report that Lance Hayden Kump, Marketing Manager for Studio Theatre and a gifted visual artist, died suddenly January 20, 2012. As reported last night on TheatreWashington, Studio Theatre will hold a memorial service for him at 2pm on Saturday, February 28 at Studio Theatre [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Time Stands Still</title>
		<link>http://dctheatrescene.com/2012/01/10/time-stands-still/</link>
		<comments>http://dctheatrescene.com/2012/01/10/time-stands-still/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 12:27:00 +0000</pubDate>
		<dc:creator>Andrew Lapin</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=31594</guid>
		<description><![CDATA[When Sarah, the ambitious, chain-smoking photojournalist at the heart of Time Stands Still, returns from assignment in Iraq, she’s broken and battered. Her face and neck are scarred; her leg’s in a cast. Eventually the cast comes off, but the scars don’t.   Holly Twyford and Greg McFadden (Photo: Scott Suchman) In today’s media-saturated times, [...]]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Bust</title>
		<link>http://dctheatrescene.com/2011/12/06/bust/</link>
		<comments>http://dctheatrescene.com/2011/12/06/bust/#comments</comments>
		<pubDate>Tue, 06 Dec 2011 14:20:01 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=31010</guid>
		<description><![CDATA[When HBO and Comedy Central’s Lauren Weedman decided to take her comedic sensibilities to the jailhouse and teach a writing workshop, her good intentions were tinged with a sense of noblesse oblige, as Weedman herself would be the first to admit. But we all know where good intentions lead.  Rather than teach a writing course, Weedman winds [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Golden Dragon</title>
		<link>http://dctheatrescene.com/2011/11/10/the-golden-dragon/</link>
		<comments>http://dctheatrescene.com/2011/11/10/the-golden-dragon/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 13:17:08 +0000</pubDate>
		<dc:creator>Ben Demers</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=30449</guid>
		<description><![CDATA[It started with just a simple toothache&#8230;and then everything went wrong. Studio Theatre&#8217;s tense, darkly comic production of Roland Schimmelpfennig&#8217;s The Golden Dragon follows disparate lives forever changed by a single random event. It&#8217;s an arresting allegory for the turmoil plaguing our increasingly intertwined global community.  (l to r) KK Moggie, Sarah Marshall, and Joseph Anthony Foronda [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Lungs</title>
		<link>http://dctheatrescene.com/2011/10/05/lungs/</link>
		<comments>http://dctheatrescene.com/2011/10/05/lungs/#comments</comments>
		<pubDate>Wed, 05 Oct 2011 14:49:41 +0000</pubDate>
		<dc:creator>Leslie Weisman</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29496</guid>
		<description><![CDATA[Feeling a bit overwhelmed by some of the magnificent productions on DC theater boards, their elegant sets and colorful costumes either enhancing or competing with the luscious language emanating from lushly made-up mouths of too many characters to count without a playbook?  If so, does Studio Theatre have a play for you. Ryan King and [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>British playwright Duncan Macmillan at Studio Theatre</title>
		<link>http://dctheatrescene.com/2011/10/03/duncan-macmillan-at-studio-theatre/</link>
		<comments>http://dctheatrescene.com/2011/10/03/duncan-macmillan-at-studio-theatre/#comments</comments>
		<pubDate>Tue, 04 Oct 2011 01:21:13 +0000</pubDate>
		<dc:creator>John Barry</dc:creator>
				<category><![CDATA[UpClose]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29394</guid>
		<description><![CDATA[I came to DC&#8217;s Studio Theatre  to talk to Duncan Macmillan about his latest play, Lungs, which will be making the first part of its rolling world premier at Studio on October 2nd (it opens on the 19th in the U.K. ). The play itself focuses on a young couple agonizing about – here I’m  stealing [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/10/03/duncan-macmillan-at-studio-theatre/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Habit of Art</title>
		<link>http://dctheatrescene.com/2011/09/14/the-habit-of-art/</link>
		<comments>http://dctheatrescene.com/2011/09/14/the-habit-of-art/#comments</comments>
		<pubDate>Wed, 14 Sep 2011 15:04:58 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=28756</guid>
		<description><![CDATA[To begin with, The Habit of Art is not a play about an imagined encounter between W.H. Auden and the composer Benjamin Britten, late in their lives. It is a play about a play about this fictional encounter. Imagine Stoppard’s The Invention of Love having a love child with Noises Off, and you begin to [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Studio Theatre&#8217;s garage sale this Saturday</title>
		<link>http://dctheatrescene.com/2011/08/04/studio-theatres-garage-sale-this-saturday/</link>
		<comments>http://dctheatrescene.com/2011/08/04/studio-theatres-garage-sale-this-saturday/#comments</comments>
		<pubDate>Thu, 04 Aug 2011 14:45:39 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27916</guid>
		<description><![CDATA[Why settle for stools from Ikea, when you can have Ikea-like stools that Jennifer Mendenhall and others used in Circle Mirror Transformation? Or wouldn&#8217;t that red couch Tom Story is presently curling up in as Andy Warhol be the perfect spot for you and your iPad2? Andy&#39;s couch from Pop! Those stools, and that couch are [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/08/04/studio-theatres-garage-sale-this-saturday/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Pop!</title>
		<link>http://dctheatrescene.com/2011/07/21/pop/</link>
		<comments>http://dctheatrescene.com/2011/07/21/pop/#comments</comments>
		<pubDate>Thu, 21 Jul 2011 15:51:33 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=27595</guid>
		<description><![CDATA[Andy Warhol played the deadpan fool but was nobody’s fool. The pop artist is still making money after death. One of his self-portraits sold for $38.4 million in a bidding war at an auction in May, 2011. Now Warhol is alive at Studio Theatre in a glitzy, high-powered, wildly funny musical, with book and lyrics [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/07/21/pop/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The History of Kisses</title>
		<link>http://dctheatrescene.com/2011/06/22/the-history-of-kisses/</link>
		<comments>http://dctheatrescene.com/2011/06/22/the-history-of-kisses/#comments</comments>
		<pubDate>Thu, 23 Jun 2011 01:15:14 +0000</pubDate>
		<dc:creator>Terry Ponick</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=26406</guid>
		<description><![CDATA[David Cale’s one-man show, The History of Kisses — now in its world premiere run at the Studio Theatre — is a dish best served slow. Set in and around a forlorn lifeguard chair perched on the edge of a nondescript California beach adjacent to a seedy motel, Cale’s creative monologue meanders in and out [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/06/22/the-history-of-kisses/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Venus in Fur</title>
		<link>http://dctheatrescene.com/2011/06/02/venus-in-fur/</link>
		<comments>http://dctheatrescene.com/2011/06/02/venus-in-fur/#comments</comments>
		<pubDate>Thu, 02 Jun 2011 12:15:12 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=25763</guid>
		<description><![CDATA[“I always think a playwright’s job is to let actors do their stuff,” playwright David Ives asserts. “I think what we’re supposed to do is write wonderful things for actors, who are much more important and interesting than we are.” Wow. Did Ives ever get it right with his marvelous Venus in Fur, now receiving [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/06/02/venus-in-fur/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<item>
		<title>The New Electric Ballroom</title>
		<link>http://dctheatrescene.com/2011/04/20/new-electric-ballroom/</link>
		<comments>http://dctheatrescene.com/2011/04/20/new-electric-ballroom/#comments</comments>
		<pubDate>Wed, 20 Apr 2011 12:18:32 +0000</pubDate>
		<dc:creator>Jayne Blanchard</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24776</guid>
		<description><![CDATA[Multiply Miss Havisham by three, add Irish accents and a peculiarly compelling sense of the macabre and you have Enda Walsh’s The New Electric Ballroom, the female-driven companion piece to Mr. Walsh’s father and sons play, The Walworth Farce, also being staged at Studio Theatre as part of the New Ireland Festival. (l to r) [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/04/20/new-electric-ballroom/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Walworth Farce</title>
		<link>http://dctheatrescene.com/2011/04/12/the-walworth-farce/</link>
		<comments>http://dctheatrescene.com/2011/04/12/the-walworth-farce/#comments</comments>
		<pubDate>Tue, 12 Apr 2011 16:06:43 +0000</pubDate>
		<dc:creator>Susan Galbraith</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=24426</guid>
		<description><![CDATA[Enda Walsh, the featured playwright of The New Ireland Festival at Studio Theatre, defies easy classification. But one thing is sure: whether he grabs part of the myth of Odysseus and resets it at the bottom of a drained swimming pool as in Penelope or uses the bashed-in skeleton of a London Council flat to [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/04/12/the-walworth-farce/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>American premiere of exotic German play highlights Studio&#8217;s 2011-2012 season</title>
		<link>http://dctheatrescene.com/2011/03/25/american-premiere-of-exotic-german-play-highlights-studios-2011-2012-season/</link>
		<comments>http://dctheatrescene.com/2011/03/25/american-premiere-of-exotic-german-play-highlights-studios-2011-2012-season/#comments</comments>
		<pubDate>Fri, 25 Mar 2011 15:12:30 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23782</guid>
		<description><![CDATA[The Golden Dragon, Roland Schimmelphennig’s Mülheim Award-winning play which begins with four cooks pulling the tooth of a co-worker in an Asian restaurant and morphs into forty-eight vignettes about the immigrant’s world – some of astonishing violence and dispair – will highlight Studio Theatre’s 2011-2012 season, the company announced yesterday. The play won the prestigious [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/25/american-premiere-of-exotic-german-play-highlights-studios-2011-2012-season/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Penelope</title>
		<link>http://dctheatrescene.com/2011/03/18/penelope/</link>
		<comments>http://dctheatrescene.com/2011/03/18/penelope/#comments</comments>
		<pubDate>Fri, 18 Mar 2011 11:29:25 +0000</pubDate>
		<dc:creator>Terry Ponick</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23628</guid>
		<description><![CDATA[Take one part Beckett non-sequiturs. Add equal parts patented Ionesco loneliness and absurdity. Add a measure of Greek mythology, a heavy dollop of Irish wit, and a piquant dash of Hiberno-English slyness. Shake violently, pour the contents into the empty swimming pool of a dry, decaying, California-style seaside mansion that’s been magically teleported to the [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/18/penelope/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Hearing Studio is producing the Enda Walsh Festival, you can be forgiven for saying &#8220;Enda, who?&#8221;</title>
		<link>http://dctheatrescene.com/2011/03/17/enda-walsh-festival/</link>
		<comments>http://dctheatrescene.com/2011/03/17/enda-walsh-festival/#comments</comments>
		<pubDate>Thu, 17 Mar 2011 18:52:38 +0000</pubDate>
		<dc:creator>Terry Ponick</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23611</guid>
		<description><![CDATA[Born in Dublin in 1967, playwright Enda Walsh has established an impressive reputation in his native Ireland as well as Great Britain. Currently a resident of London, he’s authored over a dozen plays—most quite successful—as well as radio dramas for RTÉ (the Irish broadcasting service) and the screenplay for the film “Disco Pigs.” But in [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/17/enda-walsh-festival/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Playwright Richard Nelson answers the Tynan critics</title>
		<link>http://dctheatrescene.com/2011/02/10/playwright-richard-nelson-answers-the-tynan-critics/</link>
		<comments>http://dctheatrescene.com/2011/02/10/playwright-richard-nelson-answers-the-tynan-critics/#comments</comments>
		<pubDate>Thu, 10 Feb 2011 15:14:06 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=22641</guid>
		<description><![CDATA[By now we hope all fans of the work of Kenneth Tynan have made plans to catch Philip Goodwin’s solo performance in Tynan, about to close this weekend at Studio Theatre. While most of the critics revealed themselves to be longtime admirers of Kenneth Tynan’s theatre criticism – hard not to be – and found [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/02/10/playwright-richard-nelson-answers-the-tynan-critics/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Philip Goodwin on playing Kenneth Tynan</title>
		<link>http://dctheatrescene.com/2011/02/06/philip-goodwin-on-playing-kenneth-tynan/</link>
		<comments>http://dctheatrescene.com/2011/02/06/philip-goodwin-on-playing-kenneth-tynan/#comments</comments>
		<pubDate>Sun, 06 Feb 2011 18:59:06 +0000</pubDate>
		<dc:creator>Gary Tischler</dc:creator>
				<category><![CDATA[Two Hands Clapping]]></category>
		<category><![CDATA[UpClose]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=22481</guid>
		<description><![CDATA[Philip Goodwin may be from Maine, he may live in New York, and have trained in England, but around here, he’s a Washington actor. Goodwin feels the pull himself. “I have some of that New England reserve, I supposed, and I was cast in Shakespeare plays a lot because of my training, and I live [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/02/06/philip-goodwin-on-playing-kenneth-tynan/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Tynan</title>
		<link>http://dctheatrescene.com/2011/01/25/tynan/</link>
		<comments>http://dctheatrescene.com/2011/01/25/tynan/#comments</comments>
		<pubDate>Wed, 26 Jan 2011 01:55:14 +0000</pubDate>
		<dc:creator>Jayne Blanchard</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=22282</guid>
		<description><![CDATA[Sex and theater criticism are not synonymous. Although the majority of ink-stained wretches clean up well, it is a rare occurrence for theatergoers to whistle appreciatively under their collective breaths and say “Wow, now there goes a gorgeous hunk of critic.” Dangerous sex appeal is classically the provenance of the actors onstage, the stray Svengali-like [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/01/25/tynan/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Marcus; or the Secret of Sweet</title>
		<link>http://dctheatrescene.com/2011/01/17/marcus-or-the-secret-of-sweet/</link>
		<comments>http://dctheatrescene.com/2011/01/17/marcus-or-the-secret-of-sweet/#comments</comments>
		<pubDate>Mon, 17 Jan 2011 16:18:17 +0000</pubDate>
		<dc:creator>Debbie Jackson</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=22103</guid>
		<description><![CDATA[If you were looking for more of the riveting theatre that rocked Studio Theater in the first two parts of the trilogy by Tarell Alvin McCraney, you will be sadly disappointed since Marcus; or the Secret of Sweet is simply not as powerful as The Brothers Size (2008) or In the Red and Brown Water [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/01/17/marcus-or-the-secret-of-sweet/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mojo</title>
		<link>http://dctheatrescene.com/2010/12/08/mojo/</link>
		<comments>http://dctheatrescene.com/2010/12/08/mojo/#comments</comments>
		<pubDate>Wed, 08 Dec 2010 14:28:08 +0000</pubDate>
		<dc:creator>Ben Demers</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=21347</guid>
		<description><![CDATA[Sometimes rock and roll isn&#8217;t all sex, drugs, and parties; with enough money on the line, it can turn deadly. At least that&#8217;s what the hustlers, pill poppers, and wise guys populating a 1950&#8242;s London juke joint discover as they explore the dark side of the music business in Jez Butterworth&#8217;s electric play Mojo, now [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/12/08/mojo/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Superior Donuts</title>
		<link>http://dctheatrescene.com/2010/11/15/superior-donuts/</link>
		<comments>http://dctheatrescene.com/2010/11/15/superior-donuts/#comments</comments>
		<pubDate>Mon, 15 Nov 2010 13:43:55 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=20910</guid>
		<description><![CDATA[No man is a donut, but it is possible to be as inert and insubstantial as a day-old cruller, and it is roughly this state that Arthur Przybyszewski (Richard Cotovsky), the owner of the eponymous Chicago pastry shop in Tracy Letts’ latest work, has achieved. Johnny Ramey as Franco and Richard Cotovsky as Arthur (Photo: [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/11/15/superior-donuts/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Circle Mirror Transformation</title>
		<link>http://dctheatrescene.com/2010/09/16/circle-mirror-transformation/</link>
		<comments>http://dctheatrescene.com/2010/09/16/circle-mirror-transformation/#comments</comments>
		<pubDate>Thu, 16 Sep 2010 12:46:43 +0000</pubDate>
		<dc:creator>Ben Demers</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=19492</guid>
		<description><![CDATA[If you were to see your life played out onstage, would you like what you saw? And if you didn’t, what would you do about it? Studio Theatre’s poignant, arresting production of Circle Mirror Transformation begs this question, among others, as five characters explore the emotional underpinnings of drama, including the concept of acting as [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/09/16/circle-mirror-transformation/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Passing Strange</title>
		<link>http://dctheatrescene.com/2010/07/21/passing-strange/</link>
		<comments>http://dctheatrescene.com/2010/07/21/passing-strange/#comments</comments>
		<pubDate>Wed, 21 Jul 2010 11:58:22 +0000</pubDate>
		<dc:creator>Jayne Blanchard</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=18101</guid>
		<description><![CDATA[The term “rock musical” can often give this punk rock girl the heebie-jeebies.  Most of what Broadway offers to the wah-wah pedal-inclined is either jukebox (Rock of Ages, Movin’ Out, Good Vibrations, Jersey Boys) or more traditional musical theater fare given a rock twist (Spring Awakening, The Who’s Tommy, Hair, Next to Normal). Jahi Kearse [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/07/21/passing-strange/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>American Buffalo revisited</title>
		<link>http://dctheatrescene.com/2010/07/02/american-buffalo-revisited/</link>
		<comments>http://dctheatrescene.com/2010/07/02/american-buffalo-revisited/#comments</comments>
		<pubDate>Fri, 02 Jul 2010 14:58:17 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=17282</guid>
		<description><![CDATA[Any production which changes a third of its cast undertakes an adventure, and every adventure deserves examination. Studio’s American Buffalo, now extended through July 11, has replaced the actor playing Donny, the excellent Ed Gero, with Thomas G. Waites, also excellent but in a completely different way. Change ensues. You know the plot to American [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/07/02/american-buffalo-revisited/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Legends!</title>
		<link>http://dctheatrescene.com/2010/06/23/legends/</link>
		<comments>http://dctheatrescene.com/2010/06/23/legends/#comments</comments>
		<pubDate>Thu, 24 Jun 2010 02:05:45 +0000</pubDate>
		<dc:creator>Terry Ponick</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=17051</guid>
		<description><![CDATA[Some folks go to the theater for an intellectual challenge; others, to see great stars or classic Broadway musicals or to find some much needed comic therapy to chase those Great Recession blues away, at least for a couple of hours. Audiences who’ve been flocking to Studio Theatre’s outrageous revival of James Kirkwood’s legendary Legends! [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/06/23/legends/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<item>
		<title>American Buffalo</title>
		<link>http://dctheatrescene.com/2010/05/13/american-buffalo-2/</link>
		<comments>http://dctheatrescene.com/2010/05/13/american-buffalo-2/#comments</comments>
		<pubDate>Thu, 13 May 2010 19:10:15 +0000</pubDate>
		<dc:creator>Tim Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=15794</guid>
		<description><![CDATA[Mamet wrote a hugely entertaining play, with plenty of suspense and jaw-dropping wit. Studio has mined this play for its insight, and you will leave it not only entertained but engaged and reflective as well.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/05/13/american-buffalo-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>David Muse named new Studio Theatre Artistic Director</title>
		<link>http://dctheatrescene.com/2010/05/01/david-muse-named-new-studio-theatre-artistic-director/</link>
		<comments>http://dctheatrescene.com/2010/05/01/david-muse-named-new-studio-theatre-artistic-director/#comments</comments>
		<pubDate>Sat, 01 May 2010 13:39:25 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=15348</guid>
		<description><![CDATA[The news about who will replace Joy Zinoman as artistic director of Studio Theatre came not from Monday&#8217;s planned announcement by Studio Theatre, but in an City Paper Arts Desk item from Trey Graham at City Paper yesterday and in-depth feature from Peter Marks, released today. David Muse According to both, on September 1, 2010, [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/05/01/david-muse-named-new-studio-theatre-artistic-director/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>60 Miles to Silver Lake</title>
		<link>http://dctheatrescene.com/2010/04/22/60-miles-to-silver-lake-2/</link>
		<comments>http://dctheatrescene.com/2010/04/22/60-miles-to-silver-lake-2/#comments</comments>
		<pubDate>Thu, 22 Apr 2010 13:40:36 +0000</pubDate>
		<dc:creator>Phil Calabro</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=14968</guid>
		<description><![CDATA[Director Serge Seiden's refinement of the play's claustrophobic emotions and its fidget-worthy strings of dialogue will leave some audiences dumbstruck by its honesty.]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/04/22/60-miles-to-silver-lake-2/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
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