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	<title>DC Theatre Scene&#187; teatro de la luna</title>
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	<managingEditor>lorraine@dctheatrescene.com (DC Theatre Scene)</managingEditor>
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	<itunes:summary>Podcasts interviews and audio shows from the Washington DC area theatre scene.</itunes:summary>
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		<item>
		<title>Luisa Fernanda</title>
		<link>http://dctheatrescene.com/2011/11/18/luisa-fernanda-2/</link>
		<comments>http://dctheatrescene.com/2011/11/18/luisa-fernanda-2/#comments</comments>
		<pubDate>Fri, 18 Nov 2011 15:34:28 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=30668</guid>
		<description><![CDATA[Think of the present day Arab Spring. In 1868 Spain, public dissent was in the air. The revolutionary fervor, called La Gloriosa (Glorious Revolution) led to the overthrow of Queen Isabella II and outcries for a government that spoke for the people. Real life events inspired composer Federico Moreno-Torroba who collaborated with librettists Federico Romero [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Relatos Borrachos/Tales Told Under the Influence</title>
		<link>http://dctheatrescene.com/2011/11/11/relatos-borrachostales-told-under-the-influence/</link>
		<comments>http://dctheatrescene.com/2011/11/11/relatos-borrachostales-told-under-the-influence/#comments</comments>
		<pubDate>Fri, 11 Nov 2011 16:45:05 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=30487</guid>
		<description><![CDATA[“I’ve been dying for a drink,” says Young Woman (Daniela Alvarado). That’s scene one’s startling first line that unreels Venezuelan playwright Enrique Salas’ glib dialogue. When one drink becomes one drink too many, the results can be high hilarity (pun intended) or a desperate search for dignity and recovery. the cast (Photo: Teatro de la [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Coraje II / Courage II</title>
		<link>http://dctheatrescene.com/2011/11/04/coraje-ii-courage-ii/</link>
		<comments>http://dctheatrescene.com/2011/11/04/coraje-ii-courage-ii/#comments</comments>
		<pubDate>Fri, 04 Nov 2011 13:17:50 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=30281</guid>
		<description><![CDATA[We could all be going through airport security instead of being ushered onto a black box stage where we are about to become part of an art-making process. “Please come in. Leave your belongings on the seats. You can leave your keys, your purses. It’s a secure zone&#8230;. Put your cell phones on silent mode, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Medea Llama por Cobrar (Medea Calls Collect)</title>
		<link>http://dctheatrescene.com/2011/10/28/medea-llama-por-cobrar-medea-calls-collect/</link>
		<comments>http://dctheatrescene.com/2011/10/28/medea-llama-por-cobrar-medea-calls-collect/#comments</comments>
		<pubDate>Fri, 28 Oct 2011 13:44:44 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=30078</guid>
		<description><![CDATA[Ecuadorean Peky Andino sheds new light on the Greek myth of Medea as the child-killing mother who gets away with murder. The playwright/poet changes Medea into a sympathetic, blind saint from Ecuador and skillfully creates a hauntingly surreal, dramatic monologue about all emigrants who seek a better life by leaving their homeland. Maria Beatriz Vergara According [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Latinas</title>
		<link>http://dctheatrescene.com/2011/10/21/latinas/</link>
		<comments>http://dctheatrescene.com/2011/10/21/latinas/#comments</comments>
		<pubDate>Fri, 21 Oct 2011 17:02:10 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29908</guid>
		<description><![CDATA[Denise Duncan, a new voice from Costa Rica, knows the issues of immigration first-hand. Her play, Latinas, premiering in Teatro de la Luna’s International Festival of Hispanic Theater, is about the frustrations and anguish that immigrants in the Spanish-speaking world face when trying to get citizenship in a foreign country. Cast of Latinas. (Photo: Courtesy of [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Quien lo probo, lo sabe/Those Who Taste It, Know</title>
		<link>http://dctheatrescene.com/2011/10/14/quien-lo-probo-lo-sabethose-who-taste-it-know/</link>
		<comments>http://dctheatrescene.com/2011/10/14/quien-lo-probo-lo-sabethose-who-taste-it-know/#comments</comments>
		<pubDate>Fri, 14 Oct 2011 11:57:42 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=29727</guid>
		<description><![CDATA[Love! How do you define it? An insane passion kept Lope de Vega (1562-1635) churning out plays, sometimes a play a day. Nothing could stop this 17th century genius, once called “a monster of Nature,” from writing so truthfully about what he observed. Photo courtesy of Teatro de la Luna Did de Vega live a [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/10/14/quien-lo-probo-lo-sabethose-who-taste-it-know/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Looking back on the Hispanic theatre season</title>
		<link>http://dctheatrescene.com/2011/08/17/looking-back-on-the-hispanic-theatre-season/</link>
		<comments>http://dctheatrescene.com/2011/08/17/looking-back-on-the-hispanic-theatre-season/#comments</comments>
		<pubDate>Wed, 17 Aug 2011 11:20:57 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Audience Choice Awards 2011]]></category>
		<category><![CDATA[GALA]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=28173</guid>
		<description><![CDATA[The rap on the wrap-up of the 2010/2011 Hispanic Theatre season in Washington D.C. is that as far as audiences are concerned, GALA Hispanic Theatre and Teatro de la Luna must be doing something right. In spite of funding cuts, the two Spanish-speaking theater groups have enjoyed strong box office support, garnered positive to enviable [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/08/17/looking-back-on-the-hispanic-theatre-season/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The 3 Rascals</title>
		<link>http://dctheatrescene.com/2011/03/22/the-3-rascals/</link>
		<comments>http://dctheatrescene.com/2011/03/22/the-3-rascals/#comments</comments>
		<pubDate>Tue, 22 Mar 2011 09:54:08 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23698</guid>
		<description><![CDATA[The full moon appeared the biggest and brightest in 20 years last weekend when The 3 Rascals (A3vidos) performed at Teatro de la Luna. The moon in its orbit arriving at its closest point to the earth took part in a happy coincidence. Laughter like a healing balm spilled throughout Teatro de la Luna’s black box [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/22/the-3-rascals/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How to Avoid Falling in Love with the Wrong Man</title>
		<link>http://dctheatrescene.com/2011/03/11/how-to-avoid-falling-in-love-with-the-wrong-man/</link>
		<comments>http://dctheatrescene.com/2011/03/11/how-to-avoid-falling-in-love-with-the-wrong-man/#comments</comments>
		<pubDate>Fri, 11 Mar 2011 15:44:42 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=23477</guid>
		<description><![CDATA[Cabaret artist Graciela Rodriguez from Uruguay has a lot to say about the battle of the sexes. Why do women fall in love with men who are jerks, fools, idiots, and dorks and make them suffer? Rodriguez is here to wise us up. This U.S. premiere of her solo show, Como Evitar Enamorarse del Hombre [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2011/03/11/how-to-avoid-falling-in-love-with-the-wrong-man/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Drops of Water</title>
		<link>http://dctheatrescene.com/2010/11/22/drops-of-water/</link>
		<comments>http://dctheatrescene.com/2010/11/22/drops-of-water/#comments</comments>
		<pubDate>Mon, 22 Nov 2010 21:10:29 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=21071</guid>
		<description><![CDATA[The children’s totally-into-it involvement is what makes this play so magical. By the end, Drops of Water is a splash hit without wasting a drop of water. Photo courtesy of Teatro de la Luna Last year, children and adults could relate wholeheartedly to playwright Jacqueline Briceno’s The Cat and the Seagull, (El Gato Y La [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/11/22/drops-of-water/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Happiest Day of Our lives</title>
		<link>http://dctheatrescene.com/2010/11/01/the-happiest-day-of-our-lives/</link>
		<comments>http://dctheatrescene.com/2010/11/01/the-happiest-day-of-our-lives/#comments</comments>
		<pubDate>Mon, 01 Nov 2010 11:37:54 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=20556</guid>
		<description><![CDATA[Teatro de la Luna’s XIII International Hispanic Theater Festival continued on a roll with a richly profound, absurd black comedy from Spain about waiting. Three sisters, who are triplets, wait for the happiest day of their lives: a wedding and a first communion. Nobody comes. Nobody leaves. Nothing happens. Russian playwright Chekhov gave us Three [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/11/01/the-happiest-day-of-our-lives/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>My Husband is a Cuckold</title>
		<link>http://dctheatrescene.com/2010/10/25/my-husband-is-a-cuckold/</link>
		<comments>http://dctheatrescene.com/2010/10/25/my-husband-is-a-cuckold/#comments</comments>
		<pubDate>Mon, 25 Oct 2010 09:57:20 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=20372</guid>
		<description><![CDATA[Here’s breaking news. Women have just as many extra-marital affairs as men do.  Is this factual? It’s a play. It’s all fantasy by the stereotype-smashing, Venezuelan playwright Elizabeth Fuentes. Are Latina women unfaithful to their husbands? Yes. How shocking is that? It destroys the sacred myth of machismo, the Don Juan legend, and Latino Lovers.  [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/10/25/my-husband-is-a-cuckold/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Heartstrings / Rifar el Corazon</title>
		<link>http://dctheatrescene.com/2010/05/10/heartstrings-rifar-el-corazon/</link>
		<comments>http://dctheatrescene.com/2010/05/10/heartstrings-rifar-el-corazon/#comments</comments>
		<pubDate>Mon, 10 May 2010 13:22:25 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=15694</guid>
		<description><![CDATA[We’ve all been through hellish family reunions so we can relate to Dino Armas’ character-driven, black comedy about two sisters, one a mother, and her disabled daughter. In Teatro de la Luna’s 2004 International Festival of Hispanic Theatre, the Uraguayan Heartstrings won enough praise to inspire artistic director Mario Marcel to revive it in 2010. [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/05/10/heartstrings-rifar-el-corazon/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Chumbale (Every Love Bird Needs a Nest)</title>
		<link>http://dctheatrescene.com/2010/03/03/chumbale/</link>
		<comments>http://dctheatrescene.com/2010/03/03/chumbale/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 12:55:37 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=13392</guid>
		<description><![CDATA[Teatro de la Luna gives the 1971 Argentinian comedy Chumbale by Mario Marcel it Washington area premiere. ]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2010/03/03/chumbale/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Our Lady of the Clouds</title>
		<link>http://dctheatrescene.com/2009/11/09/our-lady-of-the-clouds/</link>
		<comments>http://dctheatrescene.com/2009/11/09/our-lady-of-the-clouds/#comments</comments>
		<pubDate>Mon, 09 Nov 2009 15:04:07 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=10818</guid>
		<description><![CDATA[Aristides Vargas, who was born in Argentina but lives in Ecuador, takes us on a jaunty, if not disjointed journey that evokes that hollow, pit-in-the-stomach feeling that comes from arriving in strange, unfamiliar places. Our Lady of the Clouds (Nuestra Senora de las Nubes) reminds us that no matter where we travel or relocate, we [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2009/11/09/our-lady-of-the-clouds/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Cat and the Seagull</title>
		<link>http://dctheatrescene.com/2009/11/09/the-cat-and-the-seagull/</link>
		<comments>http://dctheatrescene.com/2009/11/09/the-cat-and-the-seagull/#comments</comments>
		<pubDate>Mon, 09 Nov 2009 08:58:59 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=10805</guid>
		<description><![CDATA[Every storyteller knows that a good fable has a moral. The Cat and the Seagull has a beautiful one, loaded with enough imaginative power to spellbind adults as well as pre-schoolers for 50 magical minutes. But look out! One of the cats making an aisle entrance may land in your lap. Jacqueline Briceno’s stage direction, [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2009/11/09/the-cat-and-the-seagull/feed/</wfw:commentRss>
		<slash:comments>9</slash:comments>
		</item>
		<item>
		<title>Fan of a Single Woman (Abanico de Soltera)</title>
		<link>http://dctheatrescene.com/2009/10/25/fan-of-a-single-woman/</link>
		<comments>http://dctheatrescene.com/2009/10/25/fan-of-a-single-woman/#comments</comments>
		<pubDate>Sun, 25 Oct 2009 23:21:23 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=10379</guid>
		<description><![CDATA[Whether Andrea Julia is fluttering a fan, talking to a doll, or writhing in agony with a wire sculpture, this chameleon-like, Argentine actress embodies Federico Garcia Lorca, the great Spanish playwright, and the voices of his characters in a tour-de-force performance in Fan of a Single Woman (Abanico de Soltera). The staging is stark. A [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2009/10/25/fan-of-a-single-woman/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The American Insomnia (El Insomnio Americano)</title>
		<link>http://dctheatrescene.com/2009/10/19/the-american-insomnia-el-insomnio-americano/</link>
		<comments>http://dctheatrescene.com/2009/10/19/the-american-insomnia-el-insomnio-americano/#comments</comments>
		<pubDate>Mon, 19 Oct 2009 13:04:11 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=10243</guid>
		<description><![CDATA[Before a packed house at the Gunston Arts Center, Saulo Garcia, a one-man miracle takes us on a jittery joy-ride representing a cast of thousands— the immigrants who trade in their Latino identities for the American Dream. Backed by a set of silk screen prints &#8211; a close up of George Washington from the U.S. [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2009/10/19/the-american-insomnia-el-insomnio-americano/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rosa de dos Aromas (Two-Scented Rose)</title>
		<link>http://dctheatrescene.com/2009/05/26/rosa-de-dos-aromas/</link>
		<comments>http://dctheatrescene.com/2009/05/26/rosa-de-dos-aromas/#comments</comments>
		<pubDate>Tue, 26 May 2009 16:32:58 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=6533</guid>
		<description><![CDATA[Two young women sit, waiting,  on a bench outside a prison. They make friendly small talk until both discover they love the same man, Marco Antonio Lazur. All at once, they&#8217;re enemies. Who gets the guy in the end? Back up and reread the title, Rosa de dos Aromas, and inhale the rose with all [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Kick-Butt Women</title>
		<link>http://dctheatrescene.com/2009/02/15/kick-butt-women/</link>
		<comments>http://dctheatrescene.com/2009/02/15/kick-butt-women/#comments</comments>
		<pubDate>Sun, 15 Feb 2009 22:12:14 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=4020</guid>
		<description><![CDATA[Kick-Butt Women (Mujeres al Poder) based on the play, Lady Godiva by Jean Canolle Adapted and directed by Mario Marcel Produced by Teatro De La Luna Reviewed by Rosalind Lacy Let&#8217;s hear it for acts of common sense and defiance that change history. The original Lady Godiva myth may not be based on an actual [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Doubt (La Duda)</title>
		<link>http://dctheatrescene.com/2008/11/13/doubt-la-duda/</link>
		<comments>http://dctheatrescene.com/2008/11/13/doubt-la-duda/#comments</comments>
		<pubDate>Thu, 13 Nov 2008 15:29:07 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2706</guid>
		<description><![CDATA[Doubt (La Duda) By John Patrick Shanley Adapted and directed by Matilda Corral Produced by I.E. Productions C.A., from Venezuela for Teatro De La Luna&#8217;s Eleventh International Festival of Hispanic Theater Reviewed by Rosalind Lacy What universalizes John Patrick Shanley&#8217;s Doubt (La Duda), about a priest suspected of pedophilia, are the adaptations director Matilda Corral [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Meat Prices Rising</title>
		<link>http://dctheatrescene.com/2008/11/03/meat-prices-rising/</link>
		<comments>http://dctheatrescene.com/2008/11/03/meat-prices-rising/#comments</comments>
		<pubDate>Mon, 03 Nov 2008 15:59:47 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2616</guid>
		<description><![CDATA[Meat Prices Rising (Subió la Carne) By Argento, Pazos, Pesqueira Directed by Carlo Argento Produced by Teatro de la Luna Reviewed by Rosalind Lacy Meat Prices Rising (Subió la Carne) has an enticing, juicy title. This loosely constructed cabaret act seems to be saying: okay, the economy is shot to hell, so let&#8217;s make fun [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Hand</title>
		<link>http://dctheatrescene.com/2008/10/25/the-hand/</link>
		<comments>http://dctheatrescene.com/2008/10/25/the-hand/#comments</comments>
		<pubDate>Sat, 25 Oct 2008 12:29:01 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2473</guid>
		<description><![CDATA[The Hand (La Mano) by playwright German Madrid directed by Antonia Castillo produced by Carro de Baco, Barcelona, Spain, and Teatro De La Luna reviewed by Rosalind Lacy The Hand (La Mano), by German Madrid, Spain&#8217;s gift to Teatro de la Luna&#8217;s Eleventh International Festival of Hispanic Theater is a mordantly witty puzzler, the kind [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2008/10/25/the-hand/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Huggings (La Importancia del Abrazo)</title>
		<link>http://dctheatrescene.com/2008/10/10/huggings-la-importancia-del-abrazo/</link>
		<comments>http://dctheatrescene.com/2008/10/10/huggings-la-importancia-del-abrazo/#comments</comments>
		<pubDate>Fri, 10 Oct 2008 13:28:15 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/?p=2262</guid>
		<description><![CDATA[Huggings (La Importancia del Abrazo) written, directed and performed by Pilar Nuñez and Jaime Lema produced by Teatro de la Luna reviewed by Rosalind Lacy    The raw intensity of this opener for Teatro De La Luna&#8217;s Eleventh International Festival of Hispanic Theater comes straight at you from the cobbled streets and heartland of Peru, [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>She Returned One Night</title>
		<link>http://dctheatrescene.com/2008/05/12/she-returned-one-night/</link>
		<comments>http://dctheatrescene.com/2008/05/12/she-returned-one-night/#comments</comments>
		<pubDate>Mon, 12 May 2008 10:59:03 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/05/12/she-returned-one-night/</guid>
		<description><![CDATA[Volvió una Noche, She Returned One Night by Eduardo Rovner Directed by Mario Marcel                                       Produced by Teatro de la Luna Reviewed by Rosalind Lacy    One reason I love to see plays at Washington D.C.&#8217;s Hispanic theaters is that I emerge renewed, as if I&#8217;ve traveled through a parallel universe.  Meet Eduardo Rovner, a multi-prize-winning [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Frida Kahlo, The Passion</title>
		<link>http://dctheatrescene.com/2008/02/11/frida-kahlo-the-passion/</link>
		<comments>http://dctheatrescene.com/2008/02/11/frida-kahlo-the-passion/#comments</comments>
		<pubDate>Mon, 11 Feb 2008 15:44:18 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2008/02/11/frida-kahlo-the-passion/</guid>
		<description><![CDATA[Frida Kahlo, the Passion By Ricardo Halac Directed by Mario Marcel Produced by Teatro de La Luna Reviewed by Rosalind Lacy Reproductions of some of Mexican artist Frida Kahlo&#8217;s most famous paintings dangle from the ceiling in the lobby of the Gunston Arts Center. Her self-portraits are memorable-the  unplucked eyebrows that meet in a unibrow [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Women of 50</title>
		<link>http://dctheatrescene.com/2007/10/26/woman-of-50/</link>
		<comments>http://dctheatrescene.com/2007/10/26/woman-of-50/#comments</comments>
		<pubDate>Fri, 26 Oct 2007 21:32:45 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/10/26/woman-of-50/</guid>
		<description><![CDATA[Women of 50 (Mujeres de 50) By Daniela Di Segni and Hilda Levy Directed by Liliana Pecora Produced by Teatro De La Luna &#8211;  International Hispanic Festival Reviewed by Rosalind Lacy Argentine actress Liliana Pecora is the Sarah Bernhardt of comic actresses. Pecora doesn&#8217;t speak English at all, she told us on opening night. That&#8217;s [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Oh, Sarah</title>
		<link>http://dctheatrescene.com/2007/10/20/oh-sarah/</link>
		<comments>http://dctheatrescene.com/2007/10/20/oh-sarah/#comments</comments>
		<pubDate>Sat, 20 Oct 2007 09:58:50 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/10/20/oh-sarah/</guid>
		<description><![CDATA[Oh, Sarah! By Ariel Mastandrea Directed by Bernardo Galli Presented by Teatro de Uruguay Produced by Teatro De La Luna International Hispanic Festival Reviewed by Rosalind Lacy  What better way to transcend language barriers than to present a one-woman play about Sarah Bernhardt.  This famous 19th century actress never spoke or reportedly never understood a [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>From Banishment to Meeting with the Soul</title>
		<link>http://dctheatrescene.com/2007/10/12/from-banishment-to-meeting-with-the-soul/</link>
		<comments>http://dctheatrescene.com/2007/10/12/from-banishment-to-meeting-with-the-soul/#comments</comments>
		<pubDate>Fri, 12 Oct 2007 16:48:54 +0000</pubDate>
		<dc:creator>Rosalind Lacy</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/10/12/from-banishment-to-meeting-with-the-soul/</guid>
		<description><![CDATA[From Banishment to Meeting with the Soul, a Pilgrimage on Earth, (Del destierro, al encuentro con el alma, el peregrinaje por la tierra, y) A Group Creation from Venezuela&#8217;s Altosf Theatre Directed by Juan Carlos De Petre Produced as part of the Teatro De La Luna International Hispanic Festival Reviewed by Rosalind Lacy Venezuelan actor [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Love in the Open Air</title>
		<link>http://dctheatrescene.com/2007/05/15/love-in-the-open-air/</link>
		<comments>http://dctheatrescene.com/2007/05/15/love-in-the-open-air/#comments</comments>
		<pubDate>Tue, 15 May 2007 19:21:15 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2007/05/15/love-in-the-open-air/</guid>
		<description><![CDATA[By Carlos Pais Produced by Teatro de la Luna Reviewed by Rosalind Lacy Comedy doesn&#8217;t flow easily from Latin American playwrights&#8217; pens, according to Teatro de la Luna&#8217;s Artistic Director Mario Marcel, because of the past 25 years of political oppression,. But judging from the world premiere of Argentine playwright Carlos Pais&#8217; satire Love in [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>On the Loose, Hot and Dangerous</title>
		<link>http://dctheatrescene.com/2006/11/01/on-the-loose-hot-and-dangerous/</link>
		<comments>http://dctheatrescene.com/2006/11/01/on-the-loose-hot-and-dangerous/#comments</comments>
		<pubDate>Wed, 01 Nov 2006 22:22:55 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/11/01/on-the-loose-hot-and-dangerous/</guid>
		<description><![CDATA[ON THE LOOSE, HOT AND DANGEROUS Produced by Teatro de la Luna Suelta, Ardiente y Peligrosa,   A revue in a style that has Uruguayan identity. Reviewed by Rosalind Lacy The spirit of fierce resistance to domination comes through. What better way to express individuality than Cabaret Theater or what is hailed at Teatro De La [...]]]></description>
		<wfw:commentRss>http://dctheatrescene.com/2006/11/01/on-the-loose-hot-and-dangerous/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How to Fill a Wild Bikini</title>
		<link>http://dctheatrescene.com/2006/10/16/how-to-fill-a-wild-bikini/</link>
		<comments>http://dctheatrescene.com/2006/10/16/how-to-fill-a-wild-bikini/#comments</comments>
		<pubDate>Mon, 16 Oct 2006 18:50:19 +0000</pubDate>
		<dc:creator>Lorraine Treanor</dc:creator>
				<category><![CDATA[Our Reviews]]></category>
		<category><![CDATA[latino theatre]]></category>
		<category><![CDATA[teatro de la luna]]></category>

		<guid isPermaLink="false">http://dctheatrescene.com/2006/10/16/how-to-fill-a-wild-bikini/</guid>
		<description><![CDATA[How to Fill a Wild Bikini Produced by Teatro de la Luna by Rosalind Lacy  With a play entitled How To Fill a Wild Bikini, I confess I sat down expecting a bedroom farce. But I came away emotionally moved by something far more profound, thanks to a wonderful actress from Uruguay- Graciela Rodriguez. Miguel [...]]]></description>
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		<slash:comments>0</slash:comments>
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