Theatres get ready for gala season. Here’s your invitation to join them

Well, all right, you’ve got some money in your pocket, and you feel like unleashing your own personal stimulus program for Washington area theaters. You know the primary benefit of your tax-deductible contribution: quality theater, DC-style. But what’s the icing? How are you going to have fun at the same time you’re handing cash over to your favorite theater? [Read more...]

Electile Dysfunction: the Kinsey Sicks for President!

Maybe I’m over-analyzing things. But after a thorough review of the evidence, plus an extensive background check, I’m just not convinced that the Kinsey Sicks are actually running for president. [Read more...]

Playwright Renee Calarco on The Religion Thing

If you think sex conversations in relationships are cringeworthy, try throwing religion into the mix. Talk about awkward. [Read more...]

The Religion Thing

Faith can bind people together under the banner of common belief, or it can create deep rifts, irreconcilable by way of reason or shared history. In Theater J’s lovingly crafted production of Renee Calarco’s The Religion Thing, a polished cast navigates the playwright’s meditation upon the complex role of faith in relationships, marked by a heady brew of razor sharp humor, repressed secrets, and raw emotion. [Read more...]

Rebecca Ende named Theater J Managing Director

Rebecca Ende, who served as Theater J’s Director of Marketing and Communications for three years before becoming President of the Board of Forum Theater, will return to her old company as Managing Director, Theater J announced Wednesday. [Read more...]

After the Fall

Some memories waft into view from a lazy distance. Others brew slowly in the back of the mind. No such luck for Quentin, whose trip down memory lane isn’t so much a stroll as a triathlon, elbowed from all sides by the family, friends, and lovers of days gone by. If he runs off track from time to time, caught up in the flashes of what he might have done and said, we can hardly blame him. [Read more...]

A Conversation on Race and Performance with Parade’s Kevin McAllister

Once headed for a career in opera, Kevin McAllister is giving three breakout performances
in the musical Parade at Ford’s Theatre

If the 1913 criminal trial of Leo Frank – and the lynching that followed two years later – seems to you like uncomfortable fodder for a Tony Award-winning musical, actor Kevin McAllister can relate. “The show is very different from anything else in musical theatre,” he said in an interview last week. “Although the writers take some theatrical liberties, it’s almost entirely factual.”  [Read more...]

Parade

Now that the western sun has set on Arena Stage’s Oklahoma!, Washington is in danger of being bereft of glorious singing voices and exemplary choral work. That void will be filled by Ford Theatre’s thrillingly sung Parade, a co-production with Theater J, directed with skill and sensitivity by Stephen Rayne. [Read more...]

Imagining Madoff

“Bernie, do you follow baseball?” asks gnomish, delightful Solomon Galkin (Mike Nussbaum). He is talking to Bernard Madoff (Rick Foucheux), the most notorious criminal of the twenty-first century. “It’s a marvelous game…It just goes on and on, there’s no clock! Always, we live by the clock, but not in baseball!”

And so Deb Margolin’s Imagining Madoff is like baseball, and also like life: it takes as long as it does. That’s not to say it’s overlong (it clocks in at a crisp ninety minutes) but that it is unhurried; it proceeds at the speed of life. [Read more...]

Meet famed Chicago actor Mike Nussbaum, in town to play Madoff client

The pre-production version of Deborah Margolin’s Imagining Madoff was largely composed of dialogue between the notorious criminal named in the title and the famous writer, holocaust survivor and philosopher, Nobel laureate Elie Wiesel. The choice was easy to justify: there is probably no one living more widely respected for his moral responsibility that Wiesel, whereas Madoff is a slimy crook. Plus, Madoff swindled Wiesel in real life, as he swindled thousands of others.  But there is another aspect of the two compared to each other worth noting: Wiesel is also fabulously lucid; one of the clearest thinkers on the planet, and his writings are models of the powerful use of language. Madoff, on the other hand, used the opaque grammar of the options trade business to obfuscate his intentions and to hide his criminal dealings. Margolin makes Madoff’s nature clear in an early scene, in which Madoff describes how he fooled his mother as a child.

[Read more...]