Watching an opera take its first life breath is witnessing a high-risk birth. There were some serious devotees on hand at Kennedy Center’s Family Theatre to support Washington National Opera’s fifth commission of a new hour-long opera.
In our look back at 2016, we tallied the number of roles played by area actors. One of the surprises was that 68 actors were cast in between 4 and 6 shows. Dawn Ursula, however, surpassed that. Last year, she appeared in 7 productions: Dot at Everyman Theatre, Angels in America, Parts 1 and 2 at Round House Theatre, Redder Blood at […]
As this year closes, perhaps you, like we, are thinking back over your own year spent watching the various riches spread before us by Washington area theatres. I asked our staff for their most vivid memories. We hope you will share your own as comments for us all to savor.
Opera director Francesca Zambello is as comfortable on the world’s largest stages as she is in a myriad of home kitchens around the world.
Whenever I attend an opera, I always try to ask myself, “if this were the first opera I were seeing, would I enjoy this performance?” After a quarter-century of seeing them, sometimes that first time perspective can be hard to find. But the Washington National Opera’s production of Gaetano Donizetti’s La Fille du Régiment (Daughter of the […]
As the dimming lights turned the deep red walls of the Kennedy Center Opera House into darkness, the spiky celestial chandeliers seemed to glow with unusual brilliance, welcoming us into another season of Washington National Opera.
The Stadium glows in the embrace of the fading afternoon Sun. The infield is as smooth and manicured as a billiard table. A cooling breeze floats in from the Potomac, wafting over the gorgeous green grasses of left field. Slowly, the massive light towers flicker ablaze. The fans, thrilled by what has gone on so […]
– Notes from the talk delivered by Susan Galbraith at The Smithsonian on August 16th – On a good day in the Greater Washington area there are more than 15 opera companies of various ilks and sizes. Not all present regular programming. Some, like Lorin Maazel’s Castleton (still in hiatus after the maestro’s death), or Wolf […]
Friday morning, images across TV screens and in The Washington Post flashed pictures of wildfires burning in the oil fields of Alberta, Canada. For those of us this past week who have lived and breathed Richard Wagner’s towering operatic epic, The Ring of the Nibelung by Washington National Opera (all 18 hours!) these billowing spumes […]
Projections follow music and carry us from clouds to forest canopy. But how quickly the woods change to a panorama of deforestation. Magnificent trunks become denuded logs and are carried by rail as poles to hold up electric wires. Next come belching industrial smokestacks. Director Francesca Zambello will not let us off from bearing witness […]