How will Director Francesca Zambello accompany her singer’s journey on the dark and lonely path of playing the nun who befriended a convicted killer and witnessed his execution? This is what I wondered while watching Kate Lindsey prepare her Washington National Opera debut in the lead role of Sister Helen Prejean in Dead Man Walking.
I am being given an intimate look inside the rehearsal rooms of Washington National Opera’s Dead Man Walking under the direction of WNO’s Artistic Director Francesca Zambello. This report marks the end of Week 2 of rehearsals. Starting Monday, we are barely two weeks away from its opening night, February 25th.
A rare inside look at the making of an opera. Washington National Opera’s Artistic Director Francesca Zambello invited Susan Galbraith to sit in on rehearsals of Dead Man Walking. This is her first report.
Washington National Opera announced its programming for the 2017/2018 season on Monday, almost three months earlier than usual. The upcoming season is all part of Kennedy Center’s continued re-envisioning of its mission, that in addition to bearing the standard for “big” classical music in all its forms, will create a blended family of its member organizations […]
Watching an opera take its first life breath is witnessing a high-risk birth. There were some serious devotees on hand at Kennedy Center’s Family Theatre to support Washington National Opera’s fifth commission of a new hour-long opera.
In our look back at 2016, we tallied the number of roles played by area actors. One of the surprises was that 68 actors were cast in between 4 and 6 shows. Dawn Ursula, however, surpassed that. Last year, she appeared in 7 productions: Dot at Everyman Theatre, Angels in America, Parts 1 and 2 at Round House Theatre, Redder Blood at […]
As this year closes, perhaps you, like we, are thinking back over your own year spent watching the various riches spread before us by Washington area theatres. I asked our staff for their most vivid memories. We hope you will share your own as comments for us all to savor.
Opera director Francesca Zambello is as comfortable on the world’s largest stages as she is in a myriad of home kitchens around the world.
Whenever I attend an opera, I always try to ask myself, “if this were the first opera I were seeing, would I enjoy this performance?” After a quarter-century of seeing them, sometimes that first time perspective can be hard to find. But the Washington National Opera’s production of Gaetano Donizetti’s La Fille du Régiment (Daughter of the […]
As the dimming lights turned the deep red walls of the Kennedy Center Opera House into darkness, the spiky celestial chandeliers seemed to glow with unusual brilliance, welcoming us into another season of Washington National Opera.