DC Theatre Scene

Woolly Mammoth’s remount of An Octoroon (review)

July 26, 2017 By Susan Galbraith

An Octoroon is a big play. It makes you sit up and take notice. It makes you laugh and it makes you …

Janet Langhart Cohen on Anne & Emmett, when will the hatred that destroyed these children end?

July 26, 2017 By Debbie Minter Jackson

Talking with Janet Langhart Cohen is like stepping back in time and talking to a time traveler …

Rodgers and Hammerstein’s A Grand Night for Singing (review)

July 26, 2017 By Kelly McCorkendale

Rodgers and Hammerstein, the team which gave us Carousel! Sound of Music. Oklahoma! South Pacific. …

Synetic’s signature portrait of evil: Mark of Cain (review)

July 25, 2017 By Marshall Bradshaw

In their first original piece in five years, Synetic Theater tells a grand story, from humanity’s …

The King speaks. Jose Llana on what King and I has to teach us now

July 25, 2017 By Keith Loria

“Any story about a world leader who realizes the only way to protect the country is not by extending …

Lincoln Center’s tour of The King and I, “Simply sublime” (review)

July 24, 2017 By Jill Kyle-Keith

The King and I, Lincoln Center's dazzling new incarnation now at the Kennedy Center, is the jewel in …

Capital Fringe head asks “If every theatre in town is operating full-tilt in July, is there a need for a Fringe festival anymore?”

July 24, 2017 By Sarah Scafidi

For the past 12 years, DC’s Capital Fringe Festival provides performance space and resources to …

Thurgood at Olney Theatre Center (review)

July 24, 2017 By Susan Galbraith

It’s a great time in Washington to re-evaluate through drama the weights and balances of our justice …

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top stories

Woolly Mammoth’s remount of An Octoroon (review)

Rodgers and Hammerstein’s A Grand Night for Singing (review)

Synetic’s signature portrait of evil: Mark of Cain (review)

Review to tell my story: a hamlet fanfic

The Originalist returns to Arena Stage (review)

Review: As You Like It plays pastoral Prince George’s parks

The Kinsey Sicks in Things You Shouldn’t Say (review)

Wildhorn’s Bonnie and Clyde musical (review)

Roundabout Theatre’s tour of Cabaret (review)

BON VOYAGE! A Happenstance Escapade (review)

staff picks

Woolly Mammoth’s remount of An Octoroon (review)

Rodgers and Hammerstein’s A Grand Night for Singing (review)

Synetic’s signature portrait of evil: Mark of Cain (review)

Review to tell my story: a hamlet fanfic

The Originalist returns to Arena Stage (review)

Review: As You Like It plays pastoral Prince George’s parks

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Woolly Mammoth’s remount of An Octoroon (review)

Janet Langhart Cohen on Anne & Emmett, when will the hatred that destroyed these children end?

Rodgers and Hammerstein’s A Grand Night for Singing (review)

Synetic’s signature portrait of evil: Mark of Cain (review)

The King speaks. Jose Llana on what King and I has to teach us now

Lincoln Center’s tour of The King and I, “Simply sublime” (review)

Capital Fringe head asks “If every theatre in town is operating full-tilt in July, is there a need for a Fringe festival anymore?”

Thurgood at Olney Theatre Center (review)

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