SIGNATURE OPENS ITS DOORS ONCE AGAIN –
HIGH NOTES OF THE DAY
By Joel Markowitz
Talent was oozing from the walls of Signature yesterday, August 4th, as subscribers, curious Shirlington neighbors and musical theatre lovers (like me) flocked into The ARK and MAX theatres to watch and to listen to the area’s and some of The Big White Way’s most talented singers. Here 10 of my favorite moments.
(1) Will Gartshore’s duet of “Not A Day Goes By” from Merrily We Roll Along, (where he will star as the very unlikable Franklin Sheppard when the show opens the new Signature season next month), and ”I Don’t Remember You,” a Kander and Ebb classic from The Happy Time, which will be part of the Kander and Ebb Festival next Spring. Want to know why Will has won two consecutive Helen Hayes Awards for Best Actor in a resident musical? When I was listening to his gorgeous voice singing these two songs – I was in musical heaven. I could see a third consecutive win next year for what should be an incredible performance this fall in Merrily.
(2) James Gardiner and Erin Driscoll singing “Something,” a sweet duet from The Witches of Eastwick, my friend Steven McKnight, who was sitting next to me, said after these two young and talented singers concluded their beautiful harmonies, “Every time I listen to this song, it gets better and better.” It’s my favorite song in the show and no one has ever delivered it quite like James and Erin.
(3) Gorgeous, gorgeous harmonies on “Dear One”, a scintillating quartet from The Kiss of the Spider Woman, another Kander and Ebb production that will grace the Signature stage in the spring. I wish you were all there to hear Will Gartshore, Eleasha Gamble, Erin Driscoll and Nick Blaemire sing my favorite song from Spider Woman. It was sheer bliss!
(4) Composer/lyricist Nick Blaemire touching “Me and The Open Road” (I apologize if I got the title wrong), a song from Glory Days, (which will have it’s inaugural full production at Signature) a portrait of four high school buddies who reunite a year after graduation and find they’ve drifted apart, where he tells the story of meeting he met a boy “He kissed me in the car under the sky.” and then having book writer James Gardiner join Nick on “We Can’t Be Boys Anymore.”
It’s so rare to find a composer and lyricist who can actually sing beautifully, and Nick and James can (we heard James’ beautiful voice in Witches this year as Michael Spofford. I believe that these two are going places and Glory Days should be the launching pad for what I hope will be a long and successful career in the theatre. And what a pleasure it was talking to Nick and James after the show. Best of luck guys!
(5) The powerhouse Eleasha Gamble rocking the roof with the theme song of The Kiss of the Spider Woman. Look out Chita Rivera! When Eleasha threw up her arms to end the song, she enveloped the entire appreciative audience in her web!
(6) Jessica Grove (pronounced Grovay) from a cabaret with Nevermore’s Edgar Allan Poe and Into The Woods’ Baker – Daniel Cooney – singing “Take Me To The World” from Evening Primrose, a TV special written by Stephen Sondheim about a girl who is stuck in a department store when the doors are closed at night, and her strange encounter with a young man played eerily by Anthony Perkins. Jessica proved that you could sing a song powerfully without turning the decibel level up. I saw Jessica many times in Thoroughly Modern Millie in NYC. She is a real trouper and boy can she sing!
(7) Jessica’s Dad – Billy Grove – surprise singing of “O Sole Mia.” We found out quickly where Jessica got her singing pipes, as her Dad gracefully hit all the high notes with this famous Neapolitan classic. He told me after that show that he’s been singing forever. I don’t know what’s in the water in
(8) And now to my favorite cabaret of the day – the hysterically funny, personable, multi-talented Jackie Piro, making the crowd laugh with great songs and stories about her Broadway and On The Road career. Jackie is a storyteller and each song becomes an event. Her diction is perfection and listening to her singing “Words, Words, Words,”
Sookie’s big number from The Witches of Eastwick, was like hearing the song for the first time. And her stories, “I was the star of the show, Marc Kudisch (Darrel van Horne – the Devil) just didn’t know it, And, “This is the part of the song where I straddled Marc.And Eric Schaeffer yelled, “That is a bad idea,” left the crowd roaring!
Jackie’s rendition of “I Dreamed a Dream” (she played Cosette and Fantine in Les Miz) was heartbreaking, while her “Vanilla Ice Cream”, a song made famous by a legend – Barbara Cook in She Loves Me showed off her operatic upper range and, again, her talent to sell a song. And when she sang “He can’t Filler Up,” a naughty song about a man who just can’t please her –
“He can monkey around
‘Til his wrench is sore.
But he won’t filler up anymore,”
The audience was howling.
After the show, Jackie and I had a sort of reunion (see photo). When I podcasted the three witches last month, she was the life of the interview. Her unique laugh filled the podcast with so much joy, and having her throw her arms around me and I around her, was the highlight of my day! Love ya Jackie!!
(9) Stephen Gregory Smith singing the powerful “Paper Soldier” from One Red Flower in his cabaret You Gotta Use What You Got. Here, Stephen showed us again that he can deliver a song with immense emotion. It was, for me, the highlight not only of the show, but of his many performances at Signature. And watching the real, funny, sarcastic slasher movie loving Stephen (I love the movie BUG too) getting the audience to sing and sway along to “I Can’t Take My Eyes Off of You,” reminded me of his playful side, one I see when I check his personal website often.
Stephen sang “Giants In The Sky” from Into The Woods, where he played the adorable Jack, temporary keeper of the beans in Signature’s production which inaugurated the new complex. Watching and listening to Stephen sing those tongue twisting lyrics reminded me of his fantastic adorable performance as the kid who just “didn’t get it.” Special kudos to Jenny Cartney who not only accompanied Stephen on the piano, but also lent her wonderful voice to many of the songs in the show, and then ran over to accompany George Dvorsky in his cabaret. You are something else, Jenny Cartney!
(10) I saw George Dvorsky when he took over for Doug Sills when Mr. Sills suddenly disappeared to
His funny rendition of “Where is the Life That Late I Led?” and his ability to pronounce all those difficult lyrics, made me hope that I could one day see him in shows like Man of
So there’s the list of highlights from the House of Signature, where great music and talent lives. Thanks to all the Signature staff who made this possible! Good luck with your 2007-2008 season as we Merrily Roll Along to see what musical pleasures await us.
Jay Finkelstein says
As Joel indicates, the Signature Open House was a fantastic, fun-filled event with great performances and lots of great interaction with Signature performers and staff. This event, which seems like it will now be annual, is a not-to-be missed theatrical highlight. Thanks Joel for such a great recap.
Joel, great summary of Saturday’s events at Signature. I enjoyed everything I saw (and I tried to fit in everything). It was fun reading your summary and brought back the fun events of the day.
Joel Markowitz says
I wish I could have seen everything Ted. I wanted to attend these two master classes, but as you know, you can’t be in two places at the same time. I’m glad you were there, and thank you for reporting to us about the clases. I am a huge Jane Pesci-Townsend fan. I keep meeting so many talented young actors who she has trained or mentored.They always have such kind things to say about her. Joel
Love the review. Joel, you are great. Something that you missed was the set of fantastic set of master classes that were given up in the Shen rehearsal room. To me, not only is the on-stage talent amazing, but just watching Eric at work in a master class shows you why he is one of DC’s best talents. The amount of improvement the singers showed after only 10 minutes of working with him, shows why he puts together such magnificent shows. And Jane Pesci-Townsend is also amazing at being able to improve singers with only a short amount of help.
What an amazing day and thanks to SIgnature for opening its doors o us in the public!
Hi Joel, You did an excellent report of the Signature Open House. The highlight of the show was Judy Simmons performance at the evening show on the Plaza; however, there was so much great talent there. Now I’m really looking forward to the full production of Glory Days next year. I’m hoping that the guy who sung the part of the character that sings “Driving” at the Fringe reading will be back to do the role. Oh yes, the other thing I enjoyed was the master class audition that Eric Schaeffer did. I learned so much about the process. p.s. Did you know that our Steve McKnight won a raffle prize? Congrats STeve!
Thanks, Joel…I am glad someone else knows of BUG besides me. 😉
Thanks for coming out and supporting us yesterday, and I’m glad you had a great time!