Angels, Hairspray among top local productions; Flint wins Favorite Actor
The 2009-2010 DC Theatre Scene Audience Choice Awards yielded some surprising results which tended to confirm the warm place which small theaters hold in the hearts of DC Theatre Scene readers.
Audience Choice Award voters selected Forum’s Angels in America: Millenium Approaches as their favorite play and Hairspray, from Toby’s Dinner Theatre in Columbia, as favorite musical. Daniel Flint won the nod as favorite actor in Taffety Punk’s Burn Your Bookes, while three of Washington’s most recognized performers – Irina Tsikurishvili (favorite actress in a play in Synetic’s Antony and Cleopatra) and Edward Gero and Sherri L. Edelen (favorite actor and actress in a musical for their work in Signature’s Sweeney Todd) – won the remaining awards for local performers.
That Forum’s Angels would be the favorite of the DC Theatre Scene audience is not a huge surprise, of course. It had been nominated as Outstanding Play in 2009 by the Helen Hayes Awards judges, and DC Theatre Scene voters had named Forum’s Last Days of Judas Iscariot as favorite play of the 2008-2009 season as well. Nonetheless, the Forum production competed against many shows with much larger budgets. It won by marrying brilliant writing with brilliant directing and performances. “[T]he best thing I, or anyone, can say about this astounding and beautiful production, is that it appropriately serves this astounding and beautiful play, one of the five best American plays of the last century,” DC Theatre Scene reviewer Tim Treanor said at the time. “From oncology to ontology, Kushner gets everything right. He makes inspired, imaginative choices and relentlessly rejects clichés, blame-casting and false simplifications, and so reminds us, as Shakespeare once did, that in action, including even our sins, we are very much like angels.”
Angels was followed in the voting by Taffety Punk’s Burn Your Bookes. Synetic’s Antony and Cleopatra in Audience Choice tied for third place with Woolly Mammoth’s Clybourne Park.
Hairspray, the musical cheerfully chiseled out of John Waters’ eccentric movie of the same name, was the surprise choice of DCTS readers as favorite musicals. Competing against much larger productions by theaters which didn’t serve dinner, Toby’s Hairspray finished ahead of a field which included second-place finisher and Helen Hayes awardee Rent (Keegan Theatre) and Signature’s [title of show], which finished third. In his review, Treanor called Toby’s production “vigorous and joyous” and noted “Hairspray is the ultimate feel-good musical because it celebrates what life would be like if we were as wonderful as we could be.”
Daniel Flint’s performance as the alchemist Edward Kelley in Burn Your Bookes won Taffety Punk its first Audience Choice Award. DCTS reviewer Phil Calabro gave readers a picture of the power of Flint’s performance: “Flint’s Kelley is stocked with gleeful conceit, crawling under the skins of audience members with his poetic guile.” Phillip Fletcher came in second for his performance as one of three Iagos in Synetic’s Othello and Michael Hayden was third for his compelling portrayal of King Henry V in the Shakespeare Theatre’s production of the Bard’s play of the same name.
Irina Tsikurishvili’s award as favorite actress in a play also comes about as a result of her portrayal of royalty – specifically, the iconic female half of the Shakespeare/Synetic hybrid, Antony and Cleopatra. Tsikurishvili, who has received multiple Helen Hayes awards for her choreography, won praise from DCTS reviewer Jayne Blanchard for her performance as Cleopatra. “Bewitching and bold, both haughty and needy, Miss Tsikurishvili’s Cleopatra nimbly embraces the contradictions in what many consider Shakespeare’s most complex female character,” Blanchard enthused. Holly Twyford followed Tsikurishvili in the voting for her performance as Aunt Bella in Lost in Yonkers (Theater J) and Tyne Daly also scored highly with DCTS voters for her portrayal of Maria Callas in Terrance McNally’s Master Class.
The award for favorite actor and favorite actress in a musical production went to the leads in Signature’s Sweeney Todd. Ed Gero, better known as a dramatic actor, garnered the award for his work in the title role, followed in the voting by James Gardiner as Hunter in [title of show] and Parker Drown for his Helen Hayes-winning work as Angel in Keegan’s Rent. Reviewer Treanor, noting that Gero was not known for his work in musicals, asked whether he could pull off the vocally challenging role and answered his own question in the affirmative. “He can and does; he is not Len Cariou [who originated the role on Broadway], but he’s better than Johnny Depp [who played Sweeney in the 2007 Tim Burton movie], and brings more depth and darkness to the role than anyone in the half-dozen or so productions I’ve seen.”
Sherri L. Edelen won the support of DC Theatre Scene audiences for her performance as the pie-baking cannibal-in-chief, Mrs. Lovett, in the same production. “[S]he brings a calculating eroticism to the role which is both pleasing and illuminating,” Treanor enthused. “She knows that with Sweeney, she is riding the tiger, and that at any moment he might turn from meal ticket and potential husband into a ravening beast. Edelen lets us understand that the possibility is thrilling to Mrs. Lovett.” Celia Blitzer followed in the voting for her work as Tracy Turnblad in Toby’s Hairspray and Jenna Sokolowski for her role as Susan in Signature Theatre’s [title of show] finished third in the voting.
For the first time in Audience Choice Award history, there was a tie for favorite Family Show, first place being shared by Synetic Family Theater’s The Snow Queen and Imagination Stage’s The Dancing Princesses. Imagination’s How I Became a Pirate followed.
Antony and Cleopatra was most favored by the DCTS audience for ensemble work, followed by Rent and Hairspray in second and third, respectively.
Among touring shows, Avenue Q was the best-loved, finishing ahead of Jersey Boys and A Streetcar Named Desire. Streetcar’s Cate Blanchette was the runaway winner for best actor in a touring production, followed by Helen Mirren for her performance in the title role of Phèdre and Laurence Fishburne’s portrayal of the legal pioneer and Supreme Court Justice Thurgood Marshall in Thurgood.
Conducted for the first time under more elaborate security measures designed to assure voting integrity, the winners were selected by those who pre-registered to vote by subscribing to DCTS’ newsletter. The survey device also solicited suggestions for modifications in the Audience Choice process, and the DCTS Board of Directors, deliberating the future of the Audience Choice Awards, will be considering those responses, as well as comments from readers, in the upcoming weeks.
DC Theatre Scene’s Audience Choice Awards for the 2009-2010 season
Favorite Play
Angels in America, Part I, Millennium Approaches, Forum Theatre
Burn Your Bookes, Taffety Punk
Antony and Cleopatra, Synetic Theater and Clybourne Park, Woolly Mammoth Theatre Company
Favorite Musical
Hairspray, Toby’s Dinner Theatre of Columbia
Rent, Keegan Theatre
[title of show], Signature Theatre
Favorite Family Show
The Dancing Princesses, Imagination Stage and The Snow Queen, Synetic Family Theater
How I Became a Pirate, Imagination Stage
Favorite Touring Show
Avenue Q
Jersey Boys
A Streetcar Named Desire
Favorite Actor in a Play
Daniel Flint as Edward Kelley, Burn your Bookes, Taffety Punk
Philip Fletcher as Iago, Othello, Synetic Theater
Michael Hayden as Henry V, Henry V, Shakespeare Theatre
Favorite Actress in a Play
Irina Tsikurishvili as Cleopatra, Antony and Cleopatra, Synetic Theater
Holly Twyford as Aunt Bella, Lost in Yonkers, Theater J
Tyne Daly as Maria Callas, Master Class, Kennedy Center
Favorite Actor in a Musical
Edward Gero as Sweeney Todd, Sweeney Todd, Signature Theatre
James Gardiner, as Hunter, [title of show], Signature Theatre
Parker Drown as Angel, Rent, Keegan Theatre
Favorite Actress in a Musical
Sherri L. Edelen as Mrs. Lovett, Sweeney Todd, Signature Theatre
Celia Blitzer as Tracy Turnblad, Hairspray, Toby’s Dinner Theatre of Columbia
Jenna Sokolowski as Susan [title of show], Signature Theatre
Favorite Touring Performance
Cate Blanchett as Blanche DuBois, A Streetcar Named Desire
Helen Mirren as Phèdre, Phèdre
Laurence Fishburne as Thurgood Marshall, Thurgood
Sorry this is so late. I wanted to sincerely extend my much belated congratulations to all nominees and winners of the DC Theatre Scene Audience Choice Award 2010. I also wanted to thank everyone who nominated and voted for me. I was shocked and extremely happy to have been nominated and then to receive the votes I did was amazing. Thank you very much!
— Philip
I, and everyone at Forum, truly appreciate the recognition for ANGELS and are honored to be selected among these great shows and performances in such an amazing theatre town. ANGELS IN AMERICA was a dream project for the company and meant so much to us. We are doubly pleased that audiences enjoyed the production.
Thank you.
Dear DC Theatre Scene:
I am shocked and appalled that Austin Pendleton’s 2010 production of “Bus Stop” at Olney Theatre Center was not recognized for its excellent ensemble in your nominations for 2010 Audience Rewards. The pettiness of your reviewer,Ted Ying,did the play,your readers,and your organization a GREAT disservice. Simply appalling.
THANK YOU FOR MY AWARD FOR “THE SNOW QUEEN” AND FOR THE NOMINATION FOR THE BEST ACTRESS TO BE FOR MORGAINE GOODING-17 YEARS OLD ACTRESSIN A CHILDREN SHOW!I AM SO GRATEFUL!THNAK YOU ALL!
Cate Blanchett was amazing in A Streetcar Named Desire. She is mesmerizing !
We are truly grateful and deeply honored for the support of the DC Theatre Scene, the DC theatre community, and our audiences. The work around town just gets better and better every year, and the amount of this amazing work that is produced is incredible! Congratulations to everyone on their 2009/10 seasons, and here’s to a new one. We hope that audiences continue to engage, donors continue to support, and artists continue to work their magic.
To Joel Markowitz, thank you for your positive comment and I actually just read your interview with Joe & Matt “yesterday”.
and John, I smoke Honesty!
Joy Mountain????? Really??? What they heck are you smoking MaryPat?
I agree with you that Joseph Bwarie was amazing in Jersey Boys. I loved his performance so much that I interviewed him and Matt Bailey when they were here at The National Theatre. Here’s the interview:
https://dctheatrescene.com/2009/11/05/jersey-boys-on-playing-frankie-valli-and-tommy-devito/
…of course, congratulations to all the “Awardees”, most certainly well deserve!.
I am disappointed in the outcome of the Favorite Touring Show category (and Favorite Touring Performer result, also). I hoped that Jersey Boys & Joseph Leo Bwarie would be “The Choices”. I did see Avenue Q at our Des Moines Civic Center and thought it was highly fun and clever, by the way.
My opinion and vote for Jersey Boys is due to the overall energy and heartbeat of that story and the performances of the cast, particularly Joseph Leo Bwaire’s as Frankie Valli…because of the story and music, life and love permeate the theatre and go home with each audience member, lifting hearts and souls from difficult places…the audience is transported to a magical place- “Joy Mountain” -which is forever accessible because of the infusion of the energy and love that exude from each show/performance, no matter city, state, or country where Jersey Boys plays. Amen!
Thrilled for Toby’s win for Hairspray as best musical. Reviewed this for Baltimore Sun finding Waters’ nostalgic tribute to 1960s Baltimore destined to play at Toby’s, where the show found an ideal home. Having caught the show on Broadway in 2003, I was astonished at how well Toby’s recreation of Baltimore in all its formstone glory actually worked. As a native Baltimorean, my pulse quickened at Broadway’s “Good morning, Baltimore” and again at Toby’s. My enthusiasm is also based on a history that included working at Baltimore’s Channel 13 where the Buddy Deane Show (on which Hairspray’s Corny Collins show is based) originated and my life-long friendship with the director of that show – Zvi Shoubin, now of MPT.
Dear DC Theatre Scene,
I am stunned. Thanks for the support of the mid level theatres in DC. It is where we cut our teeth and make risky theatre for little money and few accolades. Please keep up the fine reporting and reviewing of all the theatre, but remember those without giant endowments and budgets need you the most. Those previews, articles and early reviews can help make a good production successful, and ensure that those companies can go on to produce more work.
Cheers!
Daniel Flint