This year, if you see just one Dickens’ Yuletide story, let it be Chesapeake Shakespeare’s fine set-in-Baltimore A Christmas Carol. It has it all and then some: a nicely scary Jacob Marley’s Ghost (but not too scary for the little folk), lots of music, dancing, good acting, superior costumes, and a lightness and joy to the production.
Archives for December 5, 2016
A major transition or two could be given more time to breathe, an actor occasionally misses a subtlety, a light cue is rarely a little obtrusive in Perisphere Theater’s production of Michael Frayn’s Copenhagen. But it’s essentially an ideal production.
Christmastime is officially upon us, heralded by the copious variants of Charles Dickens’ Yuletide classic A Christmas Carol springing up around the Washington, D.C. metro area. Offerings include the “must-see holiday tradition” at Ford’s Theatre, a musical version at Toby’s Dinner Theatre in Columbia, Md., and an intimate solo rendition of the classic at Olney […]