Tiresias’ Tits is a self-described satirical, surreal, burlesque (fun fact – the author of the ur-source material, The Breasts of Tiresias, Guillaume Apollinaire, is responsible for giving us the word “surrealism”) and it lives up to every single one of those words. Erin Teachman reviews for DC Metro Theater Arts
Archives for July 9, 2017
An exciting aspect of CapFringe is getting a sneak peek at a new show in the first stage of development. Such is the case with DC Dogs’ Release: A Rock Opera, now playing at the Gallaudet University Elstad Auditorium. Andrew Baughman reviews for DC Metro Theater Arts
Sitting in the audience of To Be or Not To Be In Love – That Is The Question?, a one-woman cabaret starring writer-choreographer Beverly Merella, might be the modern equivalent of attending a Florence Foster Jenkins concert. In spite of more than a few missed notes, the dynamic Ms. Merella charms the audience with her vibrant […]
I love Fringe. And like many theatergoers, I head off each day with tolerance and hope. The tolerance is for shows that are long on ambition, and the hope is for something more. Imagine my surprise at finding that hope fulfilled on my second day of reviewing. Ravelle Brickman reviews for DC Metro Theater Arts
No way around it, this is a dark, harsh, and gritty domestic drama. For some, it may be too dark, too harsh, too gritty, perhaps a partner violence trigger. A fun, frothy, feel-good frolic this show is decidedly not. But it’s got a riveting story structure, creditable acting and direction, and cutting, high-tension dialogue that […]
Alana Wiljanen made a good choice in calling her group’s co-created Shakespeare adaptation MacBheatha, instead of the more famous Macbeth, Shakespeare’s sordid tale of a Scotsman murdering his way to power. Her scrappy bunch of (mostly) University of Richmond students dissolve the classic into its atomic parts then reconstitute it into something new. What this […]
An autobiographical one-man show about performing a different autobiographical one-man show? It sounds like the ultimate Fringe Festival cliché. But despite its conceit, David Kleinberg’s Return to the Scene of the Crime is a sincere and moving, if sprawling and unwieldy, show which embodies a totally different Fringe cliché: the diamond in the rough.
Magical realism meets morality play with a dash of sideshow in The Dream Dancer, an entrancing journey through time at this year’s Fringe. If magic, hypnosis, and feminism tickle your fancy, then this play is a great way to spend your evening!
Watching a great sex comedy provides some of the most fun you can have with your clothes on. Watching a bad sex comedy is painfully awkward and embarrassing. The creative team behind Mr. Taken has given us something that sits solidly between those two extremes. There are things to like about this show, but, while not cringe-inducing, […]
The tagline for Larry E. Blossom’s latest Capital Fringe offering, Just Like A Woman, is “Will Trans Trump Fear in These Troubled Times?” Unfortunately, neither the issues of transphobia nor the effects that Trump’s election has had on America are examined in this convoluted production by Out-Side the Box Theatre. Instead, the underbaked play leans […]