Part of the Women’s Voices Theater Festival, Love Is A Blue Tick Hound gives us not one play but four by local playwright Audrey Cefaly. These mini one-acts are but a half hour long each, yet so skillfully written that the depths of each character shines through. The playlets transverse a theme, though they don’t […]
Archives for January 2018
“Are you kidding? I’d dance in a parking lot to do this play!” Pamela Reed was explaining to me her reaction to the offer of the role of Deirdre in The Humans. The 2016 Tony winner for Best Play is at Kennedy Center’s Eisenhower Theater through January 28th.
I typically like to think of myself as someone well informed about the world of DC’s Indie Theatre Community, so it came as a shock to me that I’d completely missed the formation of Perisphere in 2014, and now I’m seeking to remedy my error.
When Nataki Garrett was 9 or 10 years old, her aunt took Garrett, her sister, and two cousins to visit Thomas Jefferson’s home of Monticello. Garrett remembers walking through the gardens and main house of the estate, hearing a tour guide drone on about the fountain pen Jefferson had used to write historical documents as […]
Put a group of high school junior girls together and the conversations could range from anything from boys to movies to selfies, but when those girls are part of a win-now, demanding soccer team, that talk becomes serious, fast.
Thornton Wilder’s The Skin of Our Teeth serves as a mammoth of a play, covering time between the ice age to the post-apocalyptic future. Creating this hilarious, poignant, and heart-warming look at the spirit of human resilience is a massive challenge. With a huge cast, and a need for flexible design, Constellation Theatre Company has […]
Baltimore’s Hippodrome, which specializes in brief visits by touring Broadway hits and classics, will offer a 9-production 2018-2019 season anchored by a June, 2019 visit from Hamilton.
In the poster for Rabbit Summer, a woman wearing a glamorous dressing gown stands provocatively, hands seemingly on her hips. A closer look through the shadows reveals she’s actually holding a double-barrel shotgun behind her back.
After reviewing statistic after statistic about gender parity in the fields of playwriting and directing, I’m excited for the second Women’s Voices Theater Festival.
This coming weekend Washington National Opera will showcase its most vital work: insuring the future of the form by developing young creative talent through its American Opera Initiative (AOI), a process that includes getting short operatic gems up on their feet.