An indelible memory from a Michael John LaChiusa musical used to be the sight of Vincent Van Gogh (Jason Danieley) sitting in his bathtub and singing the score for The Highest Yellow in a 2004 production at Signature Theatre. Now, that may have been replaced by the soaring, heart-melting finale of Los Otros, the 2012 […]
After more than a year-long renovation, Baltimore Center Stage unveils its new modern look—spacious, welcoming, sleek and inspirational—with an equally visually captivating and enchanting production of Mary Zimmerman’s The White Snake.
The devil need not be a red-skinned gent with a forked tail. He could be Jake Abadjian (Robbie Gay), a gorgeous and charismatic Hollywood star of the blockbuster Dawnwalker movies, playing an action hero who never speaks.
Playwright Suzan-Lori Parks is known for her outlandish imagination, creative use of language and boldly askew look at America’s past and history. Her mythic riff on Nathaniel Hawthorne’s The Scarlet Letter, cheekily titled Fucking A, is no exception.
The opening scene of The Hard Problem, Tom Stoppard’s latest play since 2006’s Rock and Roll, reminds you of the opening scene from Stephen Sondheim’s musical Passion. Two half-naked beautiful young people loll in bed, all aglow in afterglow and up for a chat.
Here we are again on Election Day 2016, a day many Americans would be loath to relive, except for the obvious.
It is September 2016 and like many Americans who slogged through an endless, brutal summer of presidential campaigning, the Gabriel family seems frayed around the edges.
Right now, “the room where it happens” happens to be the Kennedy Center Theater Lab, where Richard Nelson’s achingly prescient and intimate trilogy of plays The Gabriels pays a different sort, but equally electrifying tribute to the American ethos and spirit as the hit musical Hamilton.
A holiday comedy about a family matriarch’s failing brain—what could be merrier? In truth, Coleman Domingo’s Dot is an absolute delight no matter what time of year. Funny, pungent and fierce, Dot is a noisy, necessary play about the need for home and the resilience of family—no matter what form it takes.
Now that we’re mired in Trump America, there’s unexpected profundity to the pop confection Hairspray Live!, the live TV version of the 2002 musical that aired Wednesday night on NBC. If Trump and his minions have their way, it’ll be the early 1960s all over again (the musical is set in 1962)—and we’ll have to fight […]