The name Donny Hathaway probably doesn’t ring too many bells these days—certainly not as many as Stevie Wonder or Roberta Flack, his contemporaries—but you likely sing him every Christmas (“This Christmas”) and hear his influence in pop hits performed by Justin Timberlake and Amy Winehouse, who both cite him as an inspiration. Not only did Hathaway […]
The Mushroom Kingdom is in a tizzy. It’s perennial hero (and everyone’s favorite Italian plumber), Mario, no longer finds satisfaction in running, leaping, and rescuing, in facing his spiked, fire breathing nemesis, Bowser, in taking Princess Peach’s hand in his and riding off into the sunset, after a slice of cake. Repetitively.
The Snow Whyte of the future is a lot doper than the one of the past. She’s also a lot more gender friendly and fiercer. The girl is no longer just a pretty face, thanks to The Freshest Snow Whyte at Imagination Stage, which puts a sci-fi spin on an old fairytale and infuses it […]
Like a fantasy disco, I Wanna Fucking Tear You Apart opens all glitz and glamour. Yet, it isn’t as frivolous as it would want you to believe watching Sam (Nicole Spiezio) and Leo (Tommy Heleringer) strut the stage in outrageous gold and black attire fit for a burlesque-like-ball. Day-to-day life for Team Fat-Gay, as they like […]
“Brilliant” is barely adequate to describe Hooded, or Being Black for Dummies, which blurs the line between comedy and drama with the infinite precision, speed, and flash of a polished penny spinning on end.
Like its English cousin, An Irish Carol is a dramatic look at life on a day when it should be most celebrated and filled with peace, hope, and love. Unlike its cousin, there are no actual ghosts, but plenty of past, present, and potentially future sorrows turn-up. As they are wont to do when the […]
Dickens—that stuffy purveyor of eternally drab tales—gets a refreshing and quirky upgrade in The Second City’s Twist Your Dickens, the Kennedy Center’s merry holiday fare that will help you end this disturbing year with levity.
The magical, the magnificent, The Magi. This play, wrapped in a concert, is a wonderfully performed piece that showcases the best of theatre: Storytelling. Drama. Humor. Song, along with guitars, violin, and a kazoo.
Dark. Squirmy. Brutal. Galling. Backwards. Chilling. A slew of punchy, powerful words ran through my mind, much like the pithy (and punctuated) Tame. on Monday night, as I watched a man dominate a woman into a Christian-prescribed-submission.
Open Circle’s The Who’s Tommy shakes the establishment not with its hard-hitting guitar riffs but with its fearless use of American Sign Language (ASL), a move more rock ‘n’ roll than rock ‘n’ roll itself. The power and fervor sign language adds to the theatre-going experience will move you like the lighter-infused tribute concerts of […]