Watching a Baroque opera delivered by Ryan Brown and Opera Lafayette can feel like a refreshing “re-set” time-travel from warp-speed to the pace of a gently-moving skiff down a lazy river. Even the opening warm up tuning the delicate classical instruments feels leisurely and quite frankly helps us return our ever-bombarded ears to the warmest […]
Opera has a promising future, judging by this past weekend’s plethora of riches delivered in the newly renovated Terrace Theatre at The Kennedy Center. As part of the American Opera Initiative, Washington National Opera (WNO) produced the opera Proving Up, and teamed up three pairs of young librettists with composers who were mentored in a year-long process […]
In a world where facts are malleable, the working government gets shut down, good people are without protection of the law, bureaucrats are colluding with the powerful and mad, and officials are left to stir up chaos wherever possible, who better to turn to than Franz Kafka? And who better to deliver theatre that speaks […]
This weekend a new opera, Proving Up, proved itself indeed – a chamber opera worthy for the 21st century. Born out of a spirit of inquiry, Proving Up is mysterious, mesmerizing, startling in moments, and highly atmospheric. The work is less plot-driven than most traditional opera; it has earmarks rather of an extended tone poem.
This coming weekend Washington National Opera will showcase its most vital work: insuring the future of the form by developing young creative talent through its American Opera Initiative (AOI), a process that includes getting short operatic gems up on their feet.
Stillpointe Theatre, a Baltimore-based company known for its sharp takes on the American musical, has just entered the field of opera and became one of the first out of the gate this year to celebrate Bernstein’s hundredth anniversary year with the composer’s Trouble in Tahiti. Seems like the project served as a reunion of some […]
The Little Prince returned to earth this past weekend, filling the newly renovated Terrace Theater at the Kennedy Center with a veritable feast of sound and sights. “Amazing!” pronounced Kiko, a first grader from Olney, Md, attending opera for the first time.
Christmas traditions can pull you back into memories of your favorite childhood outings, gooey or punchy. MetroStage has delivered a seasonal British music hall with more punch than goo. Even the lobby has been turned into a kind of olde London pub with appropriate grub and adult beverages. Stoked with “crisps,” and a pint, we […]
Jon Robin Baitz fairly sprays the audience with lines that atta-tack-tack like an AK47. You hear the moans of each hit and then explosion after explosion of laughter. In this way, his play Vicuña serves, as many plays have done down throughout history, as a necessary bloodletting from society’s current ills.
Old things may become new. Handel’s opera, Alcina, which premiered in 1735 has done just that – quite magically so. Washington National Opera has dared to take on the classic sorceress for the first time, and it couldn’t have been better timed. “Witchy” and “witchiness” have come back into vogue as women choose to reclaim […]