“If all theatres were demolished tomorrow, would anybody miss them, and for how long?” Several characters said that at different times throughout A Room in India, a theatre piece that had a run last month in New York at the Park Avenue Armory.
We welcome back playwright and professor R. W. Schneider in another of his insights on life and American theatre. “In the quiet pond of my office a mystery had opened its toothy jaws and swum forward.”
Everyone is doing them, doing them, doing them. Well, actually no. Some artists say they hate them, notably David Mamet who recently threatened to fine theaters the hefty sum of $25,000 if they held any after his plays. In an article July 30th in the New York Times, Alexis Soloski sent out the intentional incendiary […]
In the past few days, as I’ve let Kathleen Akerley’s play Whipping, or The Football Hamlet (and this review) settle in my mind, I realize that my review perhaps comes off more harshly critical than I intended. Longacre Lea plays have a deserved reputation of inspiring polarizing, even heated, opinions. Such is the nature of […]
“The Authoritarian playbook is well known. Create a constant state of crisis that only a “strong” leader can solve. Encourage fear, divide the populace and scapegoat racial or religious minorities and immigrants.
Last week, we posted Part One of my talk with three local theatre-makers who have engaged Shakespeare’s troublesome early comedy The Taming of the Shrew. Jonelle Walker’s TAME. runs through December 11th at WSC Avant Bard.
When he received the 2015 Gary Maker Audience Award, long time theatre supporter turned performer David S. Kessler encouraged a Folger audience: “Being in the audience is not a spectator sport.” To celebrate the start of the new theatre season, we asked David to expand on his thoughts. ————– Years ago, I served as a volunteer house manager at […]
Allegations of physical abuse and sexual harassment raised by the Chicago Reader against Darrell Cox, Artistic Director of Profiles Theatre, and accusations of bizarre and illicit workplace practices by theater itself have rocked the non-Equity regional theatre world.
New York Times drama critic Charles Isherwood inadvertently sparked a controversy when, in a discussion of the 2016 Tony Awards, he commented about Hamilton: “I do find it slightly puzzling that it was nominated in the book of a musical category, since the show is almost sung-through, but it’s the kind of juggernaut we haven’t […]
We are pleased to welcome back R. W. Schneider with his admittedly heretical view on the Bard. I plan to bury Shakespeare, not to praise him. The 23rd of this month marks the 400th anniversary of William Shakespeare’s death. I propose to honor him with a stake driven through his heart. I hope this will be the […]