“… life is a drawn-out stream of people making entrances you’re unprepared for and exits you barely notice.” There’s a street corner in Paris with a cast of thousands. Take a seat where the Rue Pierre Lescot crosses the Rue Berger. It’s in the pedestrian zone that stretches from the Forum des Halles shopping district […]
When I was in law school I did some acting. I wasn’t very good but I was a big guy with a big voice and there’s always room for that in theater. Sometimes I got paid and sometimes I didn’t, but between what I did get paid and student loans and my parents’ generosity I […]
No one ever built a statue to a critic, it was once famously said, but in 2013 two critics received OBE’s in the Queen’s New Year’s Honours list. Michael Billington and Philip French, theatre and film critics for The Guardian and The Observer, were honoured after writing reviews in their particular disciplines for a 100 […]
It wasn’t exactly an ambush, but the first question actor Bernardo Cubria posed to me as a guest on his theatre podcast was about a complaint that actors have about critics. I was his sixtieth guest, and his first theatre critic. Why do so many reviews, he asked, just summarize the plot and not give […]
I wade into the compensation debate with some reluctance. The discourse has become startlingly heated. People care about the issues, which is a good thing. But unfortunate, incendiary, even insulting things have been said on both sides to those who have expressed perspectives and opinions that not everyone agrees with. I think that’s really sad […]
I want to thank my friends and colleagues for their vigorous advocacy of non-Equity theatre makers – performers, producers, or both – during the discussion of theatreWashington’s new minimum pay requirements. I applaud the dialogue on all sides for remaining informed, erudite and civil.
Earlier this month, Pallas Theatre Collective issued a response to the new Helen Hayes Awards eligibility requirements. You can read it here. DC Theatre Scene reached out to us and asked us to expand on our response for their series.
Currently in the United States there is a great debate over what constitutes minimum wage. Why should the Washington Theatre Community be any different? Many of us are working hard contacting our reps in Washington and at home to get the minimum wage to a point where people aren’t taken advantage of by their employers. […]
I am a professional actor in favor of wage increases for artists, and I am at a crossroads. I believe many people in our theatre community are. It has been a tumultuous week that has brought many of our core values into question, and the debate is heated to say the least. I am, however, […]
There’s a huge takeaway for small theatre companies in DC following the revised Helen Hayes eligibility requirements and the removal of Ari Roth from Theater J: In DC, at least, theatre is first and foremost a business. Each of us needs to decide what to do with that uncomfortable fact.