In his new memoir Sense of Occasion, Hal Prince explains that Prince of Broadway, the new Broadway revue celebrating and sampling Prince’s extraordinary 70-year career in the theater, “was entirely the idea of a Canadian producer” (not, in other words, Prince’s idea), and concedes that it is in several ways at odds with the landmark […]
“The only hope until we kick him out of office is to discombobulate him,” Michael Moore says near the beginning of his playful, pointed and partisan one-man show, as he stands in front of an American flag superimposed with a billboard-sized photograph of Donald Trump. But The Terms of My Surrender, which marks Moore’s Broadway […]
Here are my preferences – not predictions – for the 2017 Tony Awards, in keeping with a tradition I’ve been maintaining for a decade. I am a critic, not a seer or a bookie. We’ll learn the choices of the Tony voters soon enough.
Current and past winners of the Theatre World Awards, given to exceptional performers making their Broadway or New York stage debuts, offer their take on the season just past, sometimes in a single word.
Zainab Jah, who made an impressive Broadway debut as a sex slave turned soldier in Eclipsed, is back on a New York stage with another vivid portrayal of an exploited but strong African woman in Venus. Her performance is the best thing about director Lear deBessonet’s highly stylized, colorfully designed revival of this 1996 play […]
“Another happy day,” Dianne Wiest exclaims as Winnie in Samuel Beckett’s bleak, comic and compassionate play, written decades before Groundhog Day, but similarly focused on somebody who is trapped in an endlessly repeated day. But Winnie is also buried up to her waist in a mound of dirt. And then, in Act 2, it gets […]
Laurie Metcalf is the fifteenth actress since 1889 to portray Nora Helmer on Broadway, the character in Henrik Ibsen’s play A Doll’s House who slams the door on her husband and three children. But she is the first Nora to knock on that door 15 years later, in Lucas Hnath’s A Doll’s House, Part 2, […]
Near the end of Six Degrees of Separation, Allison Janney, portraying the first rich white victim of a young black con man, tells her husband that she doesn’t want to turn the experience into an anecdote, “with no teeth and a punch line you’ll mouth over and over for years to come.” But it was […]
Pity Terrence McNally, Tony-winning playwright, charged with fashioning the book of a Broadway musical out of a 1997 cartoon, which turned the Russian Revolution into a fairytale, grinding actual history into mush by featuring Rasputin as the anti-monarchy villain, an undead Vampire-like figure with evil ghostly green minions and an albino bat sidekick.
There are many reasons to find deep satisfaction in the arrival on Broadway of the play Indecent, a fascinating tale wondrously staged about a century-old Jewish drama that featured a scandalizing kiss between two women, whose Broadway cast was prosecuted for obscenity.