A rare inside look at the making of an opera. Washington National Opera’s Artistic Director Francesca Zambello invited Susan Galbraith to sit in on rehearsals of Dead Man Walking. This is her first report.
Washington National Opera announced its programming for the 2017/2018 season on Monday, almost three months earlier than usual. The upcoming season is all part of Kennedy Center’s continued re-envisioning of its mission, that in addition to bearing the standard for “big” classical music in all its forms, will create a blended family of its member organizations […]
Watching an opera take its first life breath is witnessing a high-risk birth. There were some serious devotees on hand at Kennedy Center’s Family Theatre to support Washington National Opera’s fifth commission of a new hour-long opera.
Hats in the air and “Olé!” for the In Series team that has delivered an inspired staging of an extremely challenging one-act opera, Goyescas. Written in 1915 by Enrique Granados, it that will confront you with its energetic vitality, its celebration of life and at the same time, set you back on your heels with its […]
Whenever I attend an opera, I always try to ask myself, “if this were the first opera I were seeing, would I enjoy this performance?” After a quarter-century of seeing them, sometimes that first time perspective can be hard to find. But the Washington National Opera’s production of Gaetano Donizetti’s La Fille du Régiment (Daughter of the […]
As the dimming lights turned the deep red walls of the Kennedy Center Opera House into darkness, the spiky celestial chandeliers seemed to glow with unusual brilliance, welcoming us into another season of Washington National Opera.
The Stadium glows in the embrace of the fading afternoon Sun. The infield is as smooth and manicured as a billiard table. A cooling breeze floats in from the Potomac, wafting over the gorgeous green grasses of left field. Slowly, the massive light towers flicker ablaze. The fans, thrilled by what has gone on so […]
– Notes from the talk delivered by Susan Galbraith at The Smithsonian on August 16th – On a good day in the Greater Washington area there are more than 15 opera companies of various ilks and sizes. Not all present regular programming. Some, like Lorin Maazel’s Castleton (still in hiatus after the maestro’s death), or Wolf […]
In 1692, Tituba and a gaggle of Puritan girls frolicked by night in the woods outside Salem and allegedly conjured up the devil, an event that embroiled the witnesses and a whole township in a massive, tragic witch-hunt. By night, during this summer of 2016, surrounded by the woods of Cooperstown New York, there has […]
Is it true, as Stephen Sondheim insists, that mostly audience expectations dictate whether a work is to be experienced as an opera or a musical? When pushed, however, he is equally adamant that his Sweeney Todd was squarely conceived as a musical. Well, Artistic Director of the Glimmerglass Festival, Francesca Zambello, and the entire ensemble […]