I emerged Saturday night from the Dance Loft on 14th certain of several things. Firstly, that one of the most dangerous things in the world is a young, isolated, ideology-obsessed male. Secondly, that it’s a very good thing for DC that Solas Nua is producing theatre again. Thirdly, that Thomas Keegan is one hell of […]
Forty years ago, I was introduced to the world of musical theater with my first visit to Broadway, where I was lucky enough to see Andrea McArdle play the title role in the original production of Annie. I’ve seen the show countless times since, and am always pleased that audiences are filled with young ones […]
One of the most beloved classics of children’s literature is Charlotte’s Web. E.B. White’s 1952 novel has seen stage and film adaptations over the years. I can’t imagine (pun intended) a more glorious stage version than the one that opened this weekend at Imagination Stage.
A Coffin in Egypt, one of Horton Foote’s lesser known scripts, has one of the most unengaging titles imaginable, (it’s actually derived from the last line in Genesis). Get past the title, trust Quotidian, Horton Foote and Jane Squier Bruns and you’ll be in for a treat.
Welcome to the jungle! No not the Serengeti plains where both wildebeest and ostrich have reason to fear the predatory lion. This is Chicago’s fictional North Shore High School where the creatures quaking in fear are students and the beast they fear is the lioness Regina George.
Nina Simone: Four Women at Arena Stage slams you from the moment you see the set depicting a blown-up church with pews flying in mid-air, windows shattered and still smoldering, dust settling, debris scattered on all sides.
The business of an artist is not much different than the business of a baseball umpire, though his field of vision is bigger. The artist must see the world, and then call it as he sees it.
I walked into the DC Arts Center to catch The Book of Merman expecting a tale of half-men, half-fish, all-Mormon singers and dancers. What I found was even campier than that.
The sentiment expressed in the jaunty tune “Slap That Bass” tells us why Signature Theatre has chosen to stage Crazy For You: “the world is a mess with politics and taxes and people grinding axes… so slap that bass and let that be your tonic.” This vivacious production is certainly good medicine for a low […]
Life: it’s not about good guys or bad guys. It’s about good choices and bad choices. And, Felonious Munk, a bearded comedian out of Chicago courtesy of Second City, is a solid, candid guy who’s made some questionable ones. In Nothing to Lose (But Our Chains) he lays it all out there.