With St. Patrick’s Day only a week away, and “Danny Boy” heard in many a pub, Solas Nua, the DC based company dedicated to Irish arts, is presenting the American premiere of Fiona Doyle’s Coolatully, which tells the tale of other young men facing the need to leave home.
For Road Trip, the Congressional Chorus’ 11th annual cabaret, 80 singers, a 20-member specialty dance troupe, and a rockin’ seven-piece band will travel the nation and feature songs that signify a particular city or place.
On the 24th of March, 1962, welterweight champion Benny Paret called former champ Emile Griffith a maricón at their weigh-in. The closest contemporary American-English equivalent to this word is faggot, but maricón means more, and worse. Griffith understood what it meant. He climbed into the ring with Paret that night, fought him, and killed him.
The hottest theater ticket in DC right now isn’t to a blockbuster musical, a star-studded Shakespearean play, or a big-time production already contracted to hit Broadway. The ticket everyone is clamoring for is Intelligence at Arena Stage, a world premiere political thriller which has already sold out and extended its run, even before it has […]
“…puppetry, projections, dance and live music, will capture the imagination of the audience.” That was Michael Ross, Managing Director of Baltimore Center Stage, talking with DCTS about Mary Zimmerman’s The White Snake which will open the company’s newly renovated Head Theatre.
How will Director Francesca Zambello accompany her singer’s journey on the dark and lonely path of playing the nun who befriended a convicted killer and witnessed his execution? This is what I wondered while watching Kate Lindsey prepare her Washington National Opera debut in the lead role of Sister Helen Prejean in Dead Man Walking.
“This role — and this play — lifts off the Earth. It flies in a certain way. It’s such a great role and a great play.” Robert Joy, who has had a remarkable career in theatre, film, and television, was talking to me about his title role in King Charles III.
I am being given an intimate look inside the rehearsal rooms of Washington National Opera’s Dead Man Walking under the direction of WNO’s Artistic Director Francesca Zambello. This report marks the end of Week 2 of rehearsals. Starting Monday, we are barely two weeks away from its opening night, February 25th.
When director Kathryn Chase Bryer saw Peter and the Starcatcher on Broadway five years ago, she was blown away by how it created stage images in such a minimalistic way. Now her version, in which she is able to extend the Broadway version in an intimate venue, opens at Constellation Theatre this weekend.
A rare inside look at the making of an opera. Washington National Opera’s Artistic Director Francesca Zambello invited Susan Galbraith to sit in on rehearsals of Dead Man Walking. This is her first report.