Oberon, king of the fairies, has been challenged by his queen Titania to write a play to rival Shakespeare’s A Midsummer Night’s Dream without resorting to magic. But Oberon, though beautiful, falls far short of the queen’s request.
It was as if an electric current connected the cabaret performers who call themselves Diana V. Sáez & Friends. Staged on a platform surrounded by round cafe tables, draped with red table cloths, this In Series cabaret concert at Atlas’s Lab II shines the spotlight on Hispanic songs of the past. Some are rarely heard […]
Gaetano Donizetti miraculously wrote seventy-five operas during his brief lifetime. But what makes Don Pasquale stand out as one of the funniest comic operas (opera buffa) ever written is that it is filled with exquisitely beautiful bel canto arias, patter songs, and melodramatic humor. Its unforgettable characters are a mix of good and evil. Yet, […]
We took suggested lines spoken or sung on our area stages in 2016 or upcoming in 2017 and paired them with images to create this year’s Love Lines for Valentines. Along with them comes our wish that your life will be filled with happiness. We hope you enjoy these Valentines. Sharing them is quick and easy. To start, just choose any […]
Shakespeare once wrote “if music be the food of love, play on.” Another wordsmith, who doubled as a tunesmith, boiled that sentiment down to the even more succinctly stated “Say it with music.” And did he ever!
The following plays are my favorite selections best Hispanic productions of 2016, all seen at GALA Hispanic Theatre, and dominated by GALA productions themselves.
Hats in the air and “Olé!” for the In Series team that has delivered an inspired staging of an extremely challenging one-act opera, Goyescas. Written in 1915 by Enrique Granados, it that will confront you with its energetic vitality, its celebration of life and at the same time, set you back on your heels with its […]
I can’t say enough about the creative minds (and hearts) that plucked these two very different pieces from out of the operatic stratosphere and orchestrated such a satisfyingly delightful experience.
The In Series takes Beethoven’s only opera, the rarely performed Fidelio, and transforms it into a symbol of freedom, a magnificently moving, awe-inspiring vision of hope and redemption through married love. With this, its largest-ever production, it seems there’s nothing this plucky “pocket opera” company, and its company of fearless singers, cannot do.
How can an opera’s venue and staging make so much difference? It just does in this spiced up, expansive and zany remount of In Series’ Cosi Fan Tutte Goes Hollywood at the Atlas Performing Arts Center. The theatrical adaptation of Wolfgang Amadeus Mozart’s master work about women and morality is by Nick Olcott.