Have you ever wished that your living space could be re-imagined by a set designer? Or that you could gift a personalized greeting or concert by a favorite performer? Or that a theatre artist could help out your landscaping with a new rock garden design? Or maybe you’d like to cheer up a friend or […]
Juneteenth celebrations: Antonyo Awards, Alvin Ailey, IN Series and a nationwide new play reading
Juneteenth commemorates June 19, 1865, the day that a regiment of Union soldiers arrived in Galveston, Texas to announce the end of the Civil War and the emancipation of the enslaved peoples of Texas. On January 1, 1980, Texas became the first state to declare Juneteenth, also known as Emancipation Day, Jubilee Day and Freedom […]
IN Series unveils its radical new plan – a completely digital 2020-2021 season
Advice for theatre companies worried about bringing audiences back into their physical spaces has been ‘Go Bold.’ The opera-theatre company, IN Series, which usually performs at Source in DC, has embraced that programming advice in ways advisors had probably not imagined. In a video released yesterday, IN Series’ Artistic Director Timothy Nelson made the remarkable […]
From The Women Composers Festival. Timothy Nelson introduces the women and the music that will “surprise, delight, and inspire”
This first weekend in March brings together works from some extraordinary women working in exciting new directions today in the realm of ‘opera and beyond.’ In Series hosts a Women Composers Festival with two full operas and a total of six different programs in a compressed three days. It promises to be a rare glimpse […]
Review: Le Cabaret de Carmen. In Series kick-starts the new decade with an LGBTQ Carmen
In 1981, the once enfant terrible of stage and screen, Peter Brook, then seasoned into arguably the most formidable theatre director in the world, took the opera world by storm with his radical production of Georges Bizet’s Carmen. In Series Artistic Director Timothy Nelson is going for the same – re-visioning a Carmen for our […]
Our Most Memorable Operas and Dance Performances of 2019
Prufrock, Chamber Dance Project Leading my most memorable performances for 2019 would have to be the Chamber Dance Project’s premiere of “Prufrock” in June at Sidney Harman Hall. Choreographed by the company’s founder and artistic director, Diane Coburn Bruning, “Prufrock” turned five dancers into a teeming but lonely city of suited, bowler-hatted strivers running, colliding, […]
Our 20 most memorable shows of 2019
What matters most, when all the theatrical offerings for 2019 have been made, is what lingers in the minds and hearts of the audience. We asked our writers and the Gary Maker Audience Award recipients to think back over the year, and tell us their most unforgettable shows. Here they are in alphabetical order. Ain’t […]
Review: L’Enfance du Christ, a dazzling, transformative experience from In Series
As I watched the performance of The IN Series’ most recent offering, I thought about starting my review with a warning: “Don’t go to see L’Enfance du Christ unless you want to be transformed.” And that made me think, “Well, why do we go to see theater – some of us repeatedly – if we […]
Review: Stormy Weather. IN Series reimagines Tempest by way of Billie Holiday
She devils. Film-noir temptresses. Crazy women in attics à la “Jane Eyre.” In art of all sorts, women who speak up, sashay to a different drummer or who just challenge male authority often get branded by such less-than-flattering terms. And they often suffer violent or at least unpleasant ends. That’s what happens to Sycorax, the […]
Review: Butterfly takes wing. Timothy Nelson has rescued Puccini’s most famous opera
Every age gets to reassess the value of a work of art relative to its present times, and not just aesthetically but politically. Never more so than today. Sometimes in our society’s self-congratulating political correctness this comes on with a vengeance; a work gets excoriated, bashed in, and thrown on the artistic ash heap. But […]
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