“It’s not where you start – it’s where you finish.” So goes the opening number to Just Between Us: a piano, a mic, and a memory, a delightful one-woman cabaret performance featuring DC theater mainstay Marilyn Hausfeld.
Source operates a black box space capable of reshaping and reimagining itself to fit the diverse productions it stages. In a plum northwest location, Source resides in a neighborhood just as versatile with prime dining along 14th Street and the vibrant U Street nightlife just blocks away. Washington Improv Theatre, Constellation Theatre Company and the […]
DC’s Source Festival, which produces a dozen-and-a-half ten-minute plays each June to go along with full-length plays and productions from blended disciplines, seeks interested Source audience members to help cull next year’s selections from 700 submissions.
an evening of 10 minute plays The theme offered to playwrights in this category is “The good, bad and ugly” thus, these plays are meant to “explore humanity’s best and worst players.”
Welcome to our coverage of this year’s 2011 Source Festival. Here’s how this year’s producers describe it: “Every creative journey begins with one bold step. In the spirit of adventure, Source Festival combines the forces of rising talents with established artists. Driven by creativity, collaboration and invention, Source Festival artists from across the nation present […]
This year the Source Festival provided three different themes for the over 500 entries in its 10-Minute Play competition. The Festival chose to highlight the group of six plays in its “Lovers & Friends” category for the official opening night. These are plays that “take a closer look at the complexities we all face in […]
Is there a friend you would be willing to die for if they asked you to make this ultimate sacrifice? And in exchange would they be willing to take on all the guilt you carry for people you have hurt and wrongs you have committed? Such questions sound like something out of Dickens or the […]
We have nothing in our lives as valuable or as vulnerable as our children, and for many parents their children’s youth is a nightmare of fragility. Their kids are at any moment potential prey to disease, to accident, to their own bad choices and, increasingly in our sad age, to slimy predators whose very existence […]
It’s uncanny when an actor comes on stage and tells you exactly what will happen when you leave the theater that evening. Then again, lots of things about This is Not A Time Bomb are unsettling. It begins when Edward Daniels tells us we will probably leave the theater and have a conversation, but what […]
The house is set so that the light gauze draping the stage invades the seats of the audience, merging the audience and stage without distinction. Thus begins Memoria Brassica, an inquisitive experimental piece in which printing, spoken words, and dance unite to form an artistic installment of how memory