I had the entire introduction to this review written out in my head before I stepped foot in Studio Theatre to see the world premiere of Daniel Kitson’s new solo show, A Short Series of Disagreements Presented Here in Chronological Order.
The Effect is a beautiful rumination on what love is—a combination of naturally occurring chemicals with which the brain floods the body. Or something altogether different. Something controllable. And, therefore, perhaps, less toxicating.
In theater circles, Dominique Morisseau is regarded as one of the most significant and talented African-American playwrights working today. Last year, she made the list of Top 20 Most Produced Playwrights in America, and has recently penned a popular three-play cycle entitled The Detroit Projects.
A skeleton crew is the minimum number of people needed to maintain something in operation—to keep something alive. The title of Dominique Morisseau’s appealing, thought-provoking drama at Studio Theatre could refer to the quartet of characters who inhabit it, a sample of the dwindling remnants of a once-mighty population of auto workers in an industry in flux.
Wig Out! is beautiful, raw, and real. And magically human, bonding me to the sadness, joy, and fear of wonderfully deep characters. To be candid, this is a world—the underground Ball Culture—I knew nothing of last week but remain moved by what I have seen and blown away by its energy, power, humor, and depth.
“People like us, who believe in physics,” Albert Einstein once said, “know that the distinction between past, present and future is only a stubbornly persistent illusion.” Einstein meant it as consolation — he was speaking at the funeral of a friend — but alas, for André (Ted van Griethuysen) the distinction has melted and he […]
“Since it was my decision and my timing and my will, it was easy, on that level,” Joy Zinoman said when I asked her if it had been easy to stop leading The Studio Theatre, the company she founded and then ran for thirty-five eventful, memorable years.
Qui Nguyen’s (Living Dead in Denmark) Steinberg Award-winning play Vietgone will highlight Studio Theatre’s 2017-2018, according to a partial season schedule released by the company.
Playing now at Studio Theatre, Aaron Posner’s latest adaptation, No Sisters, about the lesser characters of Chekhov’s Three Sisters, is a true companion piece to its renowned counterpart – also currently playing at Studio. The two plays run simultaneously, sharing the same cast members. So, yes, that means the actors are running backstage between two […]
The women chant their lines over one another above a rising swirl of offstage clamor that reaches a crescendo pitch. Masha (Caroline Hewitt),—the most troubled of the three Prozorov sisters—begins to scramble up a tree like a cat as the scene goes dark.