Playing now at Studio Theatre, Aaron Posner’s latest adaptation, No Sisters, about the lesser characters of Chekhov’s Three Sisters, is a true companion piece to its renowned counterpart – also currently playing at Studio. The two plays run simultaneously, sharing the same cast members. So, yes, that means the actors are running backstage between two […]
The women chant their lines over one another above a rising swirl of offstage clamor that reaches a crescendo pitch. Masha (Caroline Hewitt),—the most troubled of the three Prozorov sisters—begins to scramble up a tree like a cat as the scene goes dark.
Hey theater geeks, you’ll want to pay attention to this one! Did you ever think it’d be cool to sit back with the characters you had just seen on stage and just shoot the shit for a while, gain some refreshing insights about the play they inhabit and get their perspectives on all manner of […]
Like a fantasy disco, I Wanna Fucking Tear You Apart opens all glitz and glamour. Yet, it isn’t as frivolous as it would want you to believe watching Sam (Nicole Spiezio) and Leo (Tommy Heleringer) strut the stage in outrageous gold and black attire fit for a burlesque-like-ball. Day-to-day life for Team Fat-Gay, as they like […]
Tom Stoppard’s newest play The Hard Problem refers to philosopher David Chalmer’s “hard problem” of how to explain consciousness. Science can explain how our brains perceive sensations like pain, but not why we feel emotions like sadness. How do we explain our consciousness? Why are humans different from a monkey or a machine? The play’s protagonist, […]
The opening scene of The Hard Problem, Tom Stoppard’s latest play since 2006’s Rock and Roll, reminds you of the opening scene from Stephen Sondheim’s musical Passion. Two half-naked beautiful young people loll in bed, all aglow in afterglow and up for a chat.
As this year closes, perhaps you, like we, are thinking back over your own year spent watching the various riches spread before us by Washington area theatres. I asked our staff for their most vivid memories. We hope you will share your own as comments for us all to savor.
In Straight White Men, playwright Young Jean Lee finds remarkable insight and startling sympathy with our society’s least oppressed identity. Far from a brutal if well-deserved takedown, Lee digs deep into how her subjects think, feel, and suffer even as they try to do right by everyone else.
Staceyann Chin is a memoirist, a spoken-word poet, and a live wire. The best qualities of all three are on display in her autobiographical show, MotherStruck now at Studio Theatre.
We know who Clive (John Scherer) is: square-jawed, middle-aged, sandy-haired with a splash of white at the temples, refined of voice, of imperial bearing — why, he is the very model of the English colonial baron, ensconced in 19th-century Africa to carry, in Kipling’s terms, the white man’s burden. It is his job, as he […]