Later this spring, the Washington Ballet will present 20th-century and contemporary works, as well as premieres, by choreographers including Jiri Kilyan, Justin Peck, William Forsythe, George Balanchine, Alexei Ratmansky, Twyla Tharp, Ethan Stiefel, and Antony Tudor. The company starts the season off, however, with a consummate production of a treasured 19th-century gem, Giselle.
When new leadership takes the reins of an arts institution, the focus tends to be on where the company is going in the future. For the new Artistic Director of The Washington Ballet, Julie Kent, however, her first season will open with a celebration of the company’s past.
Tuesday night, Trey Graham hosted the annual DC Theater Scene preview of the local theatre season at The Smithsonian. The discussion highlighted just a few specifics within the breadth of local offerings in theater, opera and musical theater, and dance. Here are a few of my recommendations for the coming season.
Washington was abuzz this past weekend with the announcement Friday afternoon that The Washington Ballet’s longtime Artistic Director, Septime Webre, is leaving his post at the end of his current contract.
Opera as a genre is ripe for reinvention, as artists seek to engage audiences that have more entertainment options than ever. In Series’ Carmen in Havana gives a bold new spin on Bizet’s classic, pulsating with fresh, infectious energy while struggling at times under the weight of its own ambition.
We have two pairs of tickets to Washington Ballet’s upcoming production of Peter Pan.
Intricate cut-outs of luscious trees arch over the stage, and a painted drop shows rolling hills through a gap in the woods. Warm golden light beams into the forest glen, and a little cottage leans out onto the stage. As the pliant suitors of our heroine Giselle stride into the frame, our guileless peasant girl […]