Mozart would have been grinning at this youthful production of his tried-and-true opera that reached out to a new younger and diverse audience Friday night, March 17th. Washington National Opera’s Don Giovanni was Mozart as he wanted to be known: someone who delivered stories-in-song with popular appeal.
The air was electric at Kennedy Center Saturday night with the promise of a great fight mounted as opera on stage, and I had what amounted to ringside seats. Champion clearly had some heavy hitters, headed up with a score by the great jazz trumpeter and composer Terence Blanchard and a libretto by award winning […]
On the 24th of March, 1962, welterweight champion Benny Paret called former champ Emile Griffith a maricón at their weigh-in. The closest contemporary American-English equivalent to this word is faggot, but maricón means more, and worse. Griffith understood what it meant. He climbed into the ring with Paret that night, fought him, and killed him.
The opera Dead Man Walking is a journey of harrowing truth and compelling beauty. If, as Sister Helen Prejean says, “ Grace is waking up to the gospel of encounter,” then Director Francesca Zambello and her company of stunning singer-actors has graced us with a revelatory theatrical encounter – that is to say an American […]
How will Director Francesca Zambello accompany her singer’s journey on the dark and lonely path of playing the nun who befriended a convicted killer and witnessed his execution? This is what I wondered while watching Kate Lindsey prepare her Washington National Opera debut in the lead role of Sister Helen Prejean in Dead Man Walking.
I am being given an intimate look inside the rehearsal rooms of Washington National Opera’s Dead Man Walking under the direction of WNO’s Artistic Director Francesca Zambello. This report marks the end of Week 2 of rehearsals. Starting Monday, we are barely two weeks away from its opening night, February 25th.
A rare inside look at the making of an opera. Washington National Opera’s Artistic Director Francesca Zambello invited Susan Galbraith to sit in on rehearsals of Dead Man Walking. This is her first report.
Washington National Opera announced its programming for the 2017/2018 season on Monday, almost three months earlier than usual. The upcoming season is all part of Kennedy Center’s continued re-envisioning of its mission, that in addition to bearing the standard for “big” classical music in all its forms, will create a blended family of its member organizations […]
Watching an opera take its first life breath is witnessing a high-risk birth. There were some serious devotees on hand at Kennedy Center’s Family Theatre to support Washington National Opera’s fifth commission of a new hour-long opera.
In our look back at 2016, we tallied the number of roles played by area actors. One of the surprises was that 68 actors were cast in between 4 and 6 shows. Dawn Ursula, however, surpassed that. Last year, she appeared in 7 productions: Dot at Everyman Theatre, Angels in America, Parts 1 and 2 at Round House Theatre, Redder Blood at […]