First-time director Michael Avolio has done something extraordinary. How’s that, you ask? Not only did he have the chutzpah to stage Eugene O’Neill’s rarely-produced, large-ensemble grand requiem to “hopeless hope,” The Iceman Cometh as his debut, but the production at Bethesda’s Quotidian Theatre is a smashing success, capturing the essential horror, joy, humor and naked […]
Historical Archive of Washington area theatre
