It’s that time of year again! That most glorious time each summer when for one magical week the Capital Fringe festival is extended. It’s a great chance to see the hit Fringe shows you missed or revisit ones you loved. For us, however, the most exciting prospect of Extension Week is resurgence of our favorite game […]
For the past 12 years, DC’s Capital Fringe Festival provides performance space and resources to small theatre companies, solo and performance artists, dance troupes, musicians, and more. Founder and Chief Executive Officer Julianne Brienza, has managed the festival since its inception, including overseeing a major shift in location from a rented space near the Convention […]
A play about gun control, mental health, Robert Kennedy, and the Umpqua Community College shooting that forms a cohesive message without hitting the audience over the head with an anvil? It’s real, it’s bold, and it’s here in D.C. thanks to playwright-director Ginger Dayle and New City Stage Company.
One of the most frequently performed plays in America today, The Laramie Project, is now on view at the Atlas Performing Arts Center, where the bare stage of the Lang Theatre has been transformed, for the space of Fringe, into the town of Laramie, Wyoming. Laramie, as most people know, is where one of the […]
The unofficial rules for crafting a successful play also tend to apply to compiling the perfect mixtape: tell a compelling story, know your audience but keep them guessing, set a tone, stick to your theme, and when in doubt, always keep it short. And while Brad Baron’s autobiographical new play, Last Ditch Playlist, may flout […]
Abortion Road Trip tells the story of three women in a cab headed to New Mexico from Texas for an abortion. In this reviewer’s experience, shows covering the oh-so-taboo topic tend to be heavy handed, both in their delivery and their politics. Playwright Rachel Lynett and Theatre Prometheus bring levity and lightness to something that […]
Against a backdrop of trendy dramedies and raunchy musicals, the Wheel Theatre Company’s The Blind leads its audience to a cold, dark forest a century old. Your experience depends on how far you are willing to follow.
Caveat (written and directed by Ben Lockshin and playing at Gallaudet University’s Eastman Studio Theater) is a “One’s-a” show, where each character is an idea of a person more than an actual person. Of the people we’re introduced to in the cutthroat world of D.C. house-sharing, one’s a prig (“Anna,” played by Eva Coll), one’s […]