Last time I was here in 2013 I was swept into the flurry of opening celebrations, including the noontime grandstand with mayoral speeches and brass band and the late night garden party for sponsors, complete with celebrity gawking and southern finery sightings.
Archives for May 2016
“It was as if the audience was holding its breath” I said. “It’s like that every night” he answered. I was talking with Oliver Thornton who plays Bianca in Shakespeare Theatre Company’s all male The Taming of the Shrew. He had found a quiet room at the National Gallery of Art and was happily ensconced […]
Two dozen new works will be on display as part of Washington D.C.’s Ninth Annual Source Festival, running June 8 through July 3, and theater fans will surely be intrigued by what’s being staged.
Have you ever sat beside a lake at night and listened to the sounds? Or stood on an urban street corner in inky blackness or more exactly in a snowstorm where the world becomes unfamiliar in the swirling blur and the sounds become mysterious slushes and whooshes?
Shakespeare Theatre Company’s Taming of the Shrew is an extraordinary production, one of the most original and well thought out presentations of Shakespeare I’ve seen in years. Director Ed Sylvanus Iskandar has been generating revolutionary theatre in New York, and you can clearly see what all the buzz is about with this all-male production.
“I have a long history with the show,” Brent Barrett told me. The extremely busy musical theatre actor, with an impressive (and international) resumé, begins previews next week playing Georges in La Cage aux Folles at Signature Theatre.
We know Elliott Bales from his leadership at Theater Alliance and from his stage roles. The name Elliott Bales on a casting list usually signifies a drama – the retired Army Colonel mentioned in our interview his satisfaction in playing the bad guy – and in a remarkable turn as a romantic lead in Romeo and Juliet: […]
When Jerry Garcia died I remember thinking, “I wish I’d seen the Grateful Dead live.” Everyone talks about how amazing they were in concert and even though I was never a Dead Head I wish I had experienced it firsthand.
DC Theatre Scene was invited to interview Helen Hayes Award recipients backstage at the Lincoln Theatre on Monday, May 23, 2016. Before heading there, Jill Kyle-Keith caught up with Helen Hayes judge Natalie Tucker.
Olwen Fouéré stands quietly in the front left corner of the stage. Without saying a word, she exudes a sense of peace, patience, mindfulness and awareness as she watches the audience enter. When the lights go down, she slowly and deliberately begins to move, takes off her shoes and settles to the front of the […]