Starting at around ten minutes after the lights come up on MOTHS, you may begin to worry that you’ve gone mad. Don’t panic – this is a perfectly appropriate response to this perfectly bizarre comedy, written by Stephen Notes and directed by Roma Rogers.

There’s a quiet magic that happens in Last Train to Nibroc. It doesn’t occur often, but when it does, it’s a blissful reminder of how transcendental theater can be.

Think Chekhov. Sub-zero winters, utter hopelessness, and suicide in Act III.  In other words, Russia, and on a sunny July Saturday, beer in hand, Russia may not be your destination of choice. 

There is a sensation you get when walking into a very good museum exhibit – the ones that you know will make you think and possibly reconsider how you view the world. The ones that will touch you in some way, even though they deal with the history and stories of individuals long since dead […]

Brynn Tucker enters her show with nerve.And instantly, she exercises a rawness you’ll see often in the course of 60 minutes—and not just the rawness of exposed flesh, but of emotion, joy, as she asks, and seeks to answer, “What’s so important about dancing?”

Traffic cops, tourists, a policeman, families, bystanders, Fringe goers, Delta Sigma Theta sisters, and Borealis Theatre. This was the cast of performers who created Tickets to an Event spontaneously on Saturday at 7pm.

What does it feel like to be in New York City for the first time when you’re young, gay and from Iowa? An adrenaline rush. A sensory overload of sights, sounds and action. A constant stream of insights and new experiences. Oh, and an unforgettable introduction to Grindr.

It’s Fringe season, so when you tell folks at the tent you’re off to  In Search of The Perfect G-String they’re to be forgiven for their assumption you’re headed to one of the several burlesque troupes competing for your Baldacchino-bucks. But smile knowingly, educated Fringe-goer, and explain that your destination is of a more gentle, […]

What was once a cautionary tale painting strong women as whores has been triumphantly transformed into a case study in the complex, turbulent, often vicious history of female power. 21 King, presented by True Wit Productions, explores the question of what it really means to be called a Jezebel.

The scene is set: a heavy rain pours and the black gauze of deception hovers over Detective Pimbley as he drowns his sorrow. Whiskey neat is his drink of choice, and Jim Beam’s the only friend he’s got. But, wait! A knock at the door! A case! A crime! A box of Crayolas!

Otherness. It can be frightening.  We humans have a tendency, old as the lizardian mush portion of our brains, to congregate and socialize with those resembling ourselves, shunning outsider; this was a fundamental survival tool for keeping the tribe genetically intact and safe from would-be competition. Marsha is a play about a kind of extreme otherness […]