Powerhouse director Allison Stockman and her powerhouse resident designer A.J. Guban have created yet another minor miracle of transformation at the Source. As the 14th/U neighborhood around them becomes increasingly unrecognizable, it’s very comforting that this constant remains.
Thornton Wilder’s The Skin of Our Teeth serves as a mammoth of a play, covering time between the ice age to the post-apocalyptic future. Creating this hilarious, poignant, and heart-warming look at the spirit of human resilience is a massive challenge. With a huge cast, and a need for flexible design, Constellation Theatre Company has […]
You know things are going to start getting weird when the woolly mammoth and the dinosaur show up at the front door.
“…It may strike you more like a high mass to low instincts … the characters are all id; desperately (and fueled by cocaine and bathtub gin) hoping to express their secret selves, and so realize their secret desires.”
Nothing succeeds like excess, Oscar Wilde once wrote, and nowhere is that more true than in America. We are the land that invented competitive eating; when the Olympics finally welcomed professional athletes we sent the Dream Team; and we have a world-class opioid epidemic.
Looking for something a little… weird? Have I got a show for you. A Zombie. A Mad Doctor. A Carnival. An Insane Asylum. Live Music. Yes, a garden of delights awaits you, courtesy of Constellation Theatre. Start with the 1920 German Expressionist silent film masterpiece Das Kabinet des Dr Caligari, and add the offbeat music […]
The Arabian Nights is perhaps the quintessential Constellation Theatre show, and therefore ideal for them to revisit ten years after they first presented it, as part of their anniversary season. Directed by founder Allison Arkell Stockman, it would serve well as an introduction to the popular company for unfamiliar Washingtonians, and also offers a chance […]
Think of your favorite pop-up book as a kid: the bright colors, the interactive story, the giddy surprise of action leaping off the page. This feeling of childlike wonder drives Constellation Theatre Company’s ingenious production of Rick Elice’s Peter and the Starcatcher, a Peter Pan origin story bursting with full-throated song, high flying choreography, and […]
When director Kathryn Chase Bryer saw Peter and the Starcatcher on Broadway five years ago, she was blown away by how it created stage images in such a minimalistic way. Now her version, in which she is able to extend the Broadway version in an intimate venue, opens at Constellation Theatre this weekend.
As this year closes, perhaps you, like we, are thinking back over your own year spent watching the various riches spread before us by Washington area theatres. I asked our staff for their most vivid memories. We hope you will share your own as comments for us all to savor.