“We’ll wait and see.” Normally, words of prudence and patience. In the context of Karen Hartman’s intense epistolary play, The Book of Joseph, the words are a chilling death sentence.
Baltimore’s Everyman Theatre has devised a 2018-2019 season designed to set you up with prize-winning plays and classics, and then blow you away with acclaimed fresh works, including two from DC playwright Caleen Sinnette Jennings.
What wonderful serendipity in Baltimore this October. On one side of Fayette Street, the Hippodrome Theatre recently hosted the musical The Color Purple with heroine Miss Celie realizing her dreams and worth, after a life hard-used and abused by her husband, in her creation of comfortable, practical pants for women.
David Henry Hwang’s Tony-winning play, M. Butterfly, was an electrifying treatise on gender and East-West tensions and tragic preconceptions when it premiered in 1988 with John Lithgow and B.D. Wong in the title roles of a fictionalized French diplomat stationed in China who manages a 20-year love affair with a Peking Opera actress without conceding […]
An enterprising Everyman Theatre board member calculated there are 152 laughs in Noises Off. Surely, he jests. There is easily three times that number in Everyman’s gonzo production under the banana-peel direction of artistic director Vincent M. Lancisi.
In our look back at 2016, we tallied the number of roles played by area actors. One of the surprises was that 68 actors were cast in between 4 and 6 shows. Dawn Ursula, however, surpassed that. Last year, she appeared in 7 productions: Dot at Everyman Theatre, Angels in America, Parts 1 and 2 at Round House Theatre, Redder Blood at […]
As this year closes, perhaps you, like we, are thinking back over your own year spent watching the various riches spread before us by Washington area theatres. I asked our staff for their most vivid memories. We hope you will share your own as comments for us all to savor.
Turning a stage show into an enticing video is an art. There are three trailers which I think are among this year’s most outstanding. And, best of all, if they happen to convince you to see the show, tickets are still available.
A holiday comedy about a family matriarch’s failing brain—what could be merrier? In truth, Coleman Domingo’s Dot is an absolute delight no matter what time of year. Funny, pungent and fierce, Dot is a noisy, necessary play about the need for home and the resilience of family—no matter what form it takes.
Enter your 50s and you become invisible. People look right through 50-something women as if you are not there; waiters ignore you and bartenders don’t flirt with you; store personnel stare right past you to wait on the pretty young things.