For its 11th season, Tyson’s 1st Stage will have a war story, a story about the aftermath of a war, a story about a tragic war fought in a high school, a story about a man returning from prison life — and a story about a wedding. Plus: a festival of solo performances.
Personal, funny, poetic, rough around the edges – Bob Bartlett’s Swimming with Whales is well worth checking out while it’s at 1st Stage as I predict it will have life beyond its northern Virginia run.
D.C. Playwright Bob Bartlett has always been curious about the ways humans respond to injured or distressed animals, and that theme seems to find its way into his writing again and again.
If you love musicals but aren’t in the mood for a familiar warhorse, then head out to 1st Stage in Tysons’ Corner for the area debut of Fly By Night. You will find, as I did, a charming chamber musical with a pleasing folk-rock score, wrapped around the timeless theme of finding your way through […]
The Farnsworth Invention, showbiz writer Aaron Sorkin’s misfired attempt to retrofit a screenplay about the patent battle over television transmission into a stage drama was a dud when it opened in 2007 and is fatally defective still—even with solid performances from its two leads and energetic direction from 1st Stage Artistic Director Alex Levy.
The business of an artist is not much different than the business of a baseball umpire, though his field of vision is bigger. The artist must see the world, and then call it as he sees it.
Jesus Hopped the ‘A’ Train—a disturbing, dark dramedy by the Pulitzer-prize winning Stephen Adly Guirgis and first performed in 2000—places incarceration and morality side by side and asks you to consider if they are all that different; after all, both act as restrictive measures with a side of redemption. If you are so inclined. To […]
For their inaugural Logan Festival of Solo Performance, 1st Stage will welcome acclaimed artists from San Francisco, Portland, Chicago, and New York for two-weeks of performances and community conversations, July 6-16.
Black rage—internalized, until it’s not. Stories that carry like the blues. Language that ricochets like jazz. Penetration into the trauma of the black experience in America.
1st Stage’s 2017-2018 will feature two plays by acknowledged masters, two other plays by up-and-coming artists (including a world premiere from a local playwright) and an evening of solo performances.