All rise! Not so much for an associate Supreme Court Justice, but for Edward Gero, the man currently embodying the late Antonin Scalia in the remounted and revised production of The Originalist at Arena Stage.
“The Authoritarian playbook is well known. Create a constant state of crisis that only a “strong” leader can solve. Encourage fear, divide the populace and scapegoat racial or religious minorities and immigrants.
The long awaited Smart People at Arena Stage tackles issues of race and gender stereotypes from the viewpoint of four distinctly different people, each serving as a kind of archetype of history and lineage. Lydia Diamond who penned the well-received Stick Fly sets up each of her characters in separate monologues in the first act, and […]
Lorraine Hansberry’s groundbreaking portrayal of a black working-class family and its “dream deferred” in mid-20th century America maintains its timeless grace in a new revival at Arena Stage, but disappointingly, many of the performances don’t fulfill their roles’ potential.
Intelligence takes us back to a simpler time in American politics, when outing a CIA agent to punish her husband for revealing that the administration started a war based on alternative facts was an actual scandal that could send people to jail.
Arena Stage will bookend its next season with two plays by John Strand: a reprise of his play about the late Antonin Scalia, The Originalist, and a new musical about a couple struggling to save their marriage in the Alaskan frontier, with a book by Strand.
The hottest theater ticket in DC right now isn’t to a blockbuster musical, a star-studded Shakespearean play, or a big-time production already contracted to hit Broadway. The ticket everyone is clamoring for is Intelligence at Arena Stage, a world premiere political thriller which has already sold out and extended its run, even before it has […]
The problems that vexed Lillian Hellman’s “sound the alarm” play Watch on the Rhine at its debut in 1941 still apply to the handsome production at Arena Stage today. Worse yet, it’s likely that the play’s awkward structure, overwritten talkiness and reserved, bloodless drama have aged not like a velvety single malt Scotch, but rather like an […]
The opening night of Lisa Loomer’s Roe was the evening of January 18—a mere two days before the inauguration of a President who now unifies the federal government under a party that places its hostility to abortion rights front and center.
Although Roe v. Wade is considered one of the Supreme Court’s most landmark cases, and there’s probably been as much written and debated about the case as any other in history, aside from their names, many aren’t that familiar with the two women who changed history.