In today’s information age, where significant cultural moments flutter in and out weekly, topical theater may not age well. But sometimes, art speaks to fundamental fault lines in a culture, and that divide is played over and over with different names attached. The Real Americans, a solo show in Mosaic Theater’s “Transformational Journeys” series, is […]
Jon Robin Baitz fairly sprays the audience with lines that atta-tack-tack like an AK47. You hear the moans of each hit and then explosion after explosion of laughter. In this way, his play Vicuña serves, as many plays have done down throughout history, as a necessary bloodletting from society’s current ills.
John de Lancie is set to star in Mosaic Theater Company’s production of Pulitzer Prize finalist Jon Robin Baitz’ Vicuña & The American Epilogue as Kurt Seaman, a Donald Trump-inspired real-estate tycoon prepping for his final presidential debate.
Everyone is doing them, doing them, doing them. Well, actually no. Some artists say they hate them, notably David Mamet who recently threatened to fine theaters the hefty sum of $25,000 if they held any after his plays. In an article July 30th in the New York Times, Alexis Soloski sent out the intentional incendiary […]
Miche Braden is the biggest force of nature this side of Hurricane Harvey. She personifies the “Empress of the Blues” Bessie Smith with a powerful voice, enormous talent, a powerful stage presence, and a big heart. As a result, The Devil’s Music: The Life and Blues of Bessie Smith provides a fabulous kickoff to Mosaic Theater […]
Among all the fraught issues which torment the tortured search for peace in the Middle East, none spark a greater intransigence on the part of the State of Israel than the Right of Return — which is to say, the right of Palestinians chased from their homes in the revolution which established Israel in 1948 […]
You might be tempted to dismiss Ulysses on Bottles as a niche-appeal “issue play,” but this first opening for Mosaic Theater since receiving the Outstanding Emerging Theater Company Award at last week’s Helen Hayes Awards shows why you would be wrong and why Mosaic will be an all-around heavyweight on the DC theatre scene for years to come.
Mosaic Theater Company is only in its second year of producing but, planting itself firmly on Washington’s H Street corridor in northeast Washington, the team of Ari Roth and Serge Seiden has already made a name for the production company by putting on provocative dramatic writing that raises important social and political dialogue.
This early Athol Fugard play lacks the laser-like focus of his best work, but it packs a powerful punch and stubbornly refuses to do the expected, and at Mosaic Theater, they’re playing the hell out of it.
“It’s like rehearsals are on fire.” Say “Joy” to anyone at all involved with theatre in DC — as practitioner or as audience — and that person will know immediately that you are talking about Joy Zinoman.