The members of the Tuck family spend two hours trying to explain why it’s a curse to live forever, but it is only in the final 15 minutes of Tuck Everlasting that the musical drives home what a blessing it is to be mortal. It does this with an extraordinary, wordless ballet.
Archives for April 26, 2016
April turns out to be an “epic” month in the city. This week Washington National Opera opens its much-anticipated full “Ring Cycle” by Richard Wagner, and Constellation Theatre, the company that sails into the theater awards ceremony with more Helen Hayes nominations than any other company this year, has just debuted its production of Mary […]
Francesca Zambello is directing Wagner’s Ring Cycle that opens April 30th at The Kennedy Center and brings to Washington National Opera for the first time the whole four-part epic opera cycle. And just for good measure, WNO will present the whole thing three times through.
How can an opera’s venue and staging make so much difference? It just does in this spiced up, expansive and zany remount of In Series’ Cosi Fan Tutte Goes Hollywood at the Atlas Performing Arts Center. The theatrical adaptation of Wolfgang Amadeus Mozart’s master work about women and morality is by Nick Olcott.
Those bad boys of abridgment, the Reduced Shakespeare Company, have struck again just in time for the big celebration of the Bard of Avon’s 400th anniversary celebration. This time their mixed up, verse-juggling, quick-change, three-person comic extravaganza proposes to be the premiere of William Shakespeare’s recently discovered first play.