“This role — and this play — lifts off the Earth. It flies in a certain way. It’s such a great role and a great play.” Robert Joy, who has had a remarkable career in theatre, film, and television, was talking to me about his title role in King Charles III.
Archives for February 2017
‘Tis the season to think about love, and whether you’ve got the “Dirty No-Gooder Blues,” are “Taking a Chance on Love” or you’re “Just a Lucky So-and-So” there’s a song that will speak to your heart in Creative Cauldron’s swinging production of Blues in Night.
Think of your favorite pop-up book as a kid: the bright colors, the interactive story, the giddy surprise of action leaping off the page. This feeling of childlike wonder drives Constellation Theatre Company’s ingenious production of Rick Elice’s Peter and the Starcatcher, a Peter Pan origin story bursting with full-throated song, high flying choreography, and […]
Half of MET’s production of Top Girls is a nightmare staged like a dream; the other is a dream staged, if not so badly as a nightmare, then at least as a bit of a mess. The famous first portion, a dinner party involving historical and fictional women interacting with modern power-executive Marlene, ends up […]
The part of King Richard in Richard III is a plum for any actor lucky enough to be cast in the role. Part stand-up comic, part perennial outsider, and part moustache-twirling villain, Richard is equally delectable and murderous. Get a good Richard in any production, and you’re set: get someone who only sees the evil in […]
Michael Kahn, the Artistic Director, director and teacher whose work has dominated the theatrical landscape in Washington for thirty years and has had a national impact, will retire as Artistic Director of the Shakespeare Theatre Company in July of 2019, the company announced Monday night.
It is a bold writer who writes a history of the future. It is a bold writer who bathes his play in high Shakespearean language, replete with iambic pentameter and rhyming couplets. For doing both, can we say that Mike Bartlett is a man of brass?
We took suggested lines spoken or sung on our area stages in 2016 or upcoming in 2017 and paired them with images to create this year’s Love Lines for Valentines. Along with them comes our wish that your life will be filled with happiness. We hope you enjoy these Valentines. Sharing them is quick and easy. To start, just choose any […]
The problems that vexed Lillian Hellman’s “sound the alarm” play Watch on the Rhine at its debut in 1941 still apply to the handsome production at Arena Stage today. Worse yet, it’s likely that the play’s awkward structure, overwritten talkiness and reserved, bloodless drama have aged not like a velvety single malt Scotch, but rather like an […]
I am being given an intimate look inside the rehearsal rooms of Washington National Opera’s Dead Man Walking under the direction of WNO’s Artistic Director Francesca Zambello. This report marks the end of Week 2 of rehearsals. Starting Monday, we are barely two weeks away from its opening night, February 25th.